Floor plan

Style galleriesWatercolours of the 19th century

Watercolours of the 19th century

Plums, by John William Hill, 1870
A work made of black crayon and charcoal, on ivory laid paper.
A work made of brown and black chalks on cream wove paper.
A work made of pastel and black chalk on brown wove paper with fibrous inclusions.
A work made of pastel on brown paper, laid down on board.
The Yellow Room, by James McNeill Whistler, ca. 1883–84

The works in this room are listed below.

Works in this room

Watercolours made in the 19th century, from every museum.

Section 1, north wall

  1. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  2. A work made of black crayon and charcoal, on ivory laid paper.
    Three GossipsHonoré Daumier, 1865/1867Courtesy of the Art Institute of Chicago
  3. A work made of brown and black chalks on cream wove paper.
    Study for FestivalSir John Edward Poynter, c. 1875Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of pastel and black chalk on brown wove paper with fibrous inclusions.
    Corte del ParadisoJames McNeill Whistler, 1880Courtesy of the Art Institute of Chicago
  2. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago
  3. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago
  2. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  2. A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.
    InspirationGustave Moreau, c. 1893Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Pastel drawing of two figures in a sailboat, bright multi-colored clouds.
    Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
  2. View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
    View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of black conté crayon, on white laid paper, laid down on cream board.
    Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  2. A work made of graphite on cream laid paper (pieced).
    Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago
  2. Garden View, Brooklyn, by Fidelia Bridges, ca. 1867
    Garden View, BrooklynFidelia Bridges, ca. 1867Courtesy of The Metropolitan Museum of Art