Floor plan

Style galleriesWatercolours of the 19th century

Watercolours of the 19th century

Nocturne, by John La Farge, ca. 1885
Inside the Bar, by Winslow Homer, 1883
View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.

The works in this room are listed below.

Works in this room

Watercolours made in the 19th century, from every museum.

Section 1, north wall

  1. Nocturne, by John La Farge, ca. 1885
    NocturneJohn La Farge, ca. 1885Courtesy of The Metropolitan Museum of Art
  2. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. View of South Street, from Maiden Lane, New York City, by William James Bennett, ca. 1827
    View of South Street, from Maiden Lane, New York CityWilliam James Bennett, ca. 1827Courtesy of The Metropolitan Museum of Art
  2. A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
    Study for "The Blue Girl: Portrait of Miss Elinor Leyland"James McNeill Whistler, c. 1879Courtesy of the Art Institute of Chicago
  3. A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.
    A Shepherd (Study for “Il Voto”) (recto); Woman Holding a Baby (Study for “Il Voto”) (verso)Francesco Paolo Michetti, c. 1883Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago
  2. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  3. A work made of graphite on ivory wove paper.
    A Byzantine Well-headFrederic Leighton, 1st Baron Leighton of Stretton, 1852Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A work made of pen and brown ink, with traces of graphite, on tan wove paper, laid down on cream wove paper.
    Sketches of Algerian MenEugène Delacroix, c. 1832Courtesy of the Art Institute of Chicago
  2. A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.
    Horseman (recto); Horse and Rider (verso)Auguste Rodin, 1889Courtesy of the Art Institute of Chicago
  3. Black ink drawing of forested landscape, statue of woman holding child at pinnacle of mountain.
    Statue of the Madonna in the MountainsCaspar David Friedrich, 1804Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper.
    Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)Eugène Delacroix, 1816Courtesy of the Art Institute of Chicago
  2. A work made of conté crayon on gray-blue wove paper.
    Landscape with HaystacksConstant Troyon, n.d.Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. The Dancing Lesson, by Thomas Eakins, 1878
    The Dancing LessonThomas Eakins, 1878Courtesy of The Metropolitan Museum of Art
  2. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago
  3. Color pastel drawing of ballerinas in tutus on stage, watched by audience.
    Ballet at the Paris OpéraEdgar Degas, 1877Courtesy of the Art Institute of Chicago