Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
A work made of color woodblock print; oban.
Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art
  3. Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
    Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art

Section 1, south wall

  1. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sisterTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
  3. Passengers in a Ferry Boat on the Sumida River, by Torii Kiyonaga, 1784
    Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Anekawa Daisuke as Ayame-no-mae, by Torii Kiyomitsu, 1760
    Anekawa Daisuke as Ayame-no-maeTorii Kiyomitsu, 1760Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; ōban.
    Plum Garden at Kameido (Kameido Umeyashiki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  3. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art
  2. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  3. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of color woodblock print; uchiwa-e, aizuri-e.
    Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago
  2. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Paper Doll Clothing, 1897–98
    Paper Doll ClothingUnrecorded Japanese maker, 1897–98Courtesy of The Metropolitan Museum of Art
  2. France (furansukoku), by Utagawa Yoshitora, 2nd month, 1865
    France (furansukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art