Floor plan

Style galleriesMughal and Rajput painting

Mughal and Rajput painting

Princess and attendant in trompe l’oeil window, by Aqil Khan, c. 1765
Toilette of Radha, c. 1810–20
Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso), by the Kota Master, ca. 1720 (recto); ca. 1750–75 (verso)
The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
"Shah Jahan on Horseback", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50
Great Indian Fruit Bat, by Bhawani Das, ca. 1777–82
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, by Bihzad, c. 1560
Green Parrot, c. 1820

The works in this room are listed below.

Works in this room

Jewel-bright painting from the Mughal court and the Rajput and Pahari kingdoms of India.

First room, north wall

  1. Princess and attendant in trompe l’oeil window, by Aqil Khan, c. 1765
    Princess and attendant in trompe l’oeil windowAqil Khan, c. 1765Courtesy of the Cleveland Museum of Art
  2. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  3. Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso), by the Kota Master, ca. 1720 (recto); ca. 1750–75 (verso)
    Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso)the Kota Master, ca. 1720 (recto); ca. 1750–75 (verso)Courtesy of The Metropolitan Museum of Art
  4. The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
    The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)Unrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art

First room, south wall

  1. "Shah Jahan on Horseback", Folio from the Shah Jahan Album, by Payag, verso: ca. 1630; recto: ca. 1530–50
    "Shah Jahan on Horseback", Folio from the Shah Jahan AlbumPayag, verso: ca. 1630; recto: ca. 1530–50Courtesy of The Metropolitan Museum of Art
  2. Great Indian Fruit Bat, by Bhawani Das, ca. 1777–82
    Great Indian Fruit BatBhawani Das, ca. 1777–82Courtesy of The Metropolitan Museum of Art
  3. The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, by Bihzad, c. 1560
    The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second NightBihzad, c. 1560Courtesy of the Cleveland Museum of Art
  4. Green Parrot, c. 1820
    Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Raja Balwant Singh’s Vision of Krishna and Radha, by Nainsukh, ca. 1745–50
    Raja Balwant Singh’s Vision of Krishna and RadhaNainsukh, ca. 1745–50Courtesy of The Metropolitan Museum of Art
  2. Krishna Lifting Mount Govardhan, c. 1780–90
    Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art
  3. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  4. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  2. Krishna in the Form of Shri Nathji, ca. 1840
    Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art
  3. "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "Bahram Gur Sees a Herd of Deer Mesmerized by Dilaram' s Music", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art
  4. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art