Floor plan

Style galleriesDutch Golden Age

Dutch Golden Age

A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
Enclosed Valley, by Hercules Seghers, c. 1623–30
A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
A work made of oil on panel.
A work made of oil on panel.
Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
A work made of engraving on two joined sheets of ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

First room, north wall

  1. A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
    ApolloJan Harmensz. Muller, c. 1600-1620Courtesy of the Art Institute of Chicago
  2. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  3. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  4. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art

First room, south wall

  1. A work made of oil on panel.
    Alpheus and ArethusaMoses van Uyttenbroeck, 1626Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    Still LifePieter Claesz, c. 1625Courtesy of the Art Institute of Chicago
  3. Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
    Standing Officer Holding a Boar's SpearHendrick Goltzius, 1586Courtesy of the Cleveland Museum of Art
  4. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago
  2. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago
  3. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago

Second room, north wall

  1. Landscape with a Windmill, by Jacob van Ruisdael, 1646
    Landscape with a WindmillJacob van Ruisdael, 1646Courtesy of the Cleveland Museum of Art
  2. A work made of woodcut on three joined sheets of ivory laid paper.
    The Mocking of ChristWerner van den Valckert, c. 1620Courtesy of the Art Institute of Chicago
  3. Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53
    Sleeping Peasants near Fields (Parable of the Weeds)Simon de Vlieger, 1650–53Courtesy of the Cleveland Museum of Art

Third room, north wall

  1. Portrait of Tieleman Roosterman, by Frans Hals, 1634
    Portrait of Tieleman RoostermanFrans Hals, 1634Courtesy of the Cleveland Museum of Art
  2. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art