Floor plan

Style galleriesDutch Golden Age

Dutch Golden Age

A work made of engraving on three joined sheets of laid paper.
Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
Enclosed Valley, by Hercules Seghers, c. 1623–30
A work made of oil on panel.
A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.
A work made of oil on panel.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

First room, north wall

  1. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  2. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art
  3. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  4. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art

First room, south wall

  1. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago
  2. A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.
    ApolloJan Harmensz. Muller, c. 1600-1620Courtesy of the Art Institute of Chicago
  3. A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.
    Woman Seated on Bench and Three Sketches of HeadsSchool of Rembrandt van Rijn, n.d.Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago

Second room, south wall

  1. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago
  3. Landscape with a Windmill, by Jacob van Ruisdael, 1646
    Landscape with a WindmillJacob van Ruisdael, 1646Courtesy of the Cleveland Museum of Art
  4. A work made of engraving in black on cream laid paper.
    Drunken SilenusJonas Suyderhoef, 1642Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art
  2. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  3. The Witch (Night Piece), by Jan van de Velde II, 1626
    The Witch (Night Piece)Jan van de Velde II, 1626Courtesy of the Cleveland Museum of Art
  4. Portrait of Elizabeth Spiegel, by Dirck Dircksz. Santvoort, 1639
    Portrait of Elizabeth SpiegelDirck Dircksz. Santvoort, 1639Courtesy of the Cleveland Museum of Art