Floor plan

Style galleriesDutch Golden Age

Dutch Golden Age

A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
A work made of engraving on three joined sheets of ivory laid paper.
A work made of oil on panel.
A work made of engraving on three joined sheets of ivory laid paper.
A work made of engraving on two joined sheets of ivory laid paper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

First room, north wall

  1. A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632
    A Young Man with a ChainRembrandt van Rijn, c. 1629 or 1632Courtesy of the Cleveland Museum of Art
  2. Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645
    Study of a Tulip (Wit en root boode)Pieter Holsteyn II, c. 1645Courtesy of the Cleveland Museum of Art
  3. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  4. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago

First room, south wall

  1. A work made of oil on panel.
    Trompe-l'Oeil Still Life with a Flower Garland and a CurtainAdriaen van der Spelt, 1658Courtesy of the Art Institute of Chicago
  2. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  3. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago

Second room, south wall

  1. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  2. A work made of engraving on two joined sheets of ivory laid paper.
    The Wedding at CanaHendrick Goltzius, c. 1590-1610Courtesy of the Art Institute of Chicago
  3. A work made of oil on canvas.
    The Music LessonGerard ter Borch the Younger, c. 1670Courtesy of the Art Institute of Chicago
  4. A work made of watercolor and opaque watercolor on cream laid paper.
    Megasoma Elephas or Megaceras Jason and Six Other InsectsPieter Holsteyn, the younger, 1640/80Courtesy of the Art Institute of Chicago

Second room, north wall

  1. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art
  2. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago
  3. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago

Third room, north wall

  1. The Witch (Night Piece), by Jan van de Velde II, 1626
    The Witch (Night Piece)Jan van de Velde II, 1626Courtesy of the Cleveland Museum of Art
  2. A work made of engraving in black on cream laid paper.
    Drunken SilenusJonas Suyderhoef, 1642Courtesy of the Art Institute of Chicago