Floor plan

Style galleriesDrawings

Drawings

The sculpture depicts a mythical creature resembling a dragon. It has a long spiraled body and an intricate head with spiky protrusions. The sculpture is a warm brown color. The dragon has bat-like wings, an open mouth, detailed texture with scales, and is standing on a small base.
STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85
The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), by Francisco Goya, 1796–97
NEAR MEADOW CREEK, UTAH

The works in this room are listed below.

Works in this room

Every one of the collection's drawings, in today's hang.

Section 1, north wall

  1. The sculpture depicts a mythical creature resembling a dragon. It has a long spiraled body and an intricate head with spiky protrusions. The sculpture is a warm brown color. The dragon has bat-like wings, an open mouth, detailed texture with scales, and is standing on a small base.
    FenceRose Campbell-Gerke, c. 1941Courtesy National Gallery of Art, Washington
  2. STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME
    Study of seascape. Porcupine Islands, Bar Harbor, MEWilliam Stanley Haseltine, 1859Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85
    Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)Leonardo da Vinci, 1480–85Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.
    Utility ChestHenry Tomaszewski, 1937Courtesy National Gallery of Art, Washington
  2. Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), by Francisco Goya, 1796–97
    Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco Goya, 1796–97Courtesy of the Cleveland Museum of Art
  3. NEAR MEADOW CREEK, UTAH
    Near Meadow Creek, UtahThomas Moran, July 25, 1871Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868
    Édouard Manet, Seated, Holding His HatEdgar Degas, ca. 1868Courtesy of The Metropolitan Museum of Art
  2. MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE
    Mt. Katahdin from South Turner Mountain, MaineFrederic Edwin Church, 1877–78Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. The image shows two large quilt blocks with a matching design, side by side. Each block consists of red and beige fabric with quilted stitching creating a textured appearance. The color palette includes primarily red, beige, and dark stitching outlining the patterns. The quilt blocks are placed centrally on a light-colored surface.
    Patchwork QuiltPaul Ward, c. 1936Courtesy National Gallery of Art, Washington
  2. Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
    Standing Officer Holding a Boar's SpearHendrick Goltzius, 1586Courtesy of the Cleveland Museum of Art
  3. The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.
    Forum Vulcani: The Hot Springs at PozzuoliJoris Hoefnagel, 1578Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. The image depicts a landscape with a road alongside a canal. The view is elevated, showing the road, canal, trees, and structures on the horizon. The style of the sketch is characterized by soft lines and shading, creating depth. The color palette is monochromatic with shades of gray. Closest to us, a canal borders the road with some ducks in the water. Figures and carts are seen on the road leading into the distance.
    Arrivee au MarcheAuguste LepèreCourtesy National Gallery of Art, Washington
  2. This is a painting of a camel with a colorful saddle. The camel is centered in the image, standing against a plain, light-colored background. The animal is drawn with careful attention to detail, showcasing its distinctive humps, elongated neck, and slender legs. It is adorned with a vibrant saddle that features bright orange and red tones. The simplicity of the background emphasizes the camel.
    Bank CamelWilliam O. Fletcher, c. 1940Courtesy National Gallery of Art, Washington
  3. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543
    Amya Petitioning Faustus for the Custody of Saint MamasJean Cousin the Elder, ca. 1543Courtesy of The Metropolitan Museum of Art
  2. This is a drawing of a wooden door panel. It features a detailed rendering of a rectangular wooden door panel with vertical lines. Below the door panel, there is an elevation view showing the construction detail of the door in cross-section, with measurements indicating dimensions and proportions. The color palette is in shades of brown and beige. A signature in the lower right corner attributes the drawing to an artist named Geoffrey Holt.
    One of Original Inside Doors to SacristyGeoffrey Holt, c. 1936Courtesy National Gallery of Art, Washington