Floor plan

Style galleriesThe American Gilded Age

The American Gilded Age

Diving Cormorant, by Otto H. Bacher, 1900
The Stubble Field, by Henry Golden Dearth, c. 1909
Leaping Trout, by Winslow Homer, 1889
ITALIAN GIRL
Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899
FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND
Christ, by Kenyon Cox, 1905
A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.

The works in this room are listed below.

Works in this room

Painting and design in the United States from the Civil War to 1910.

First room, north wall

  1. Diving Cormorant, by Otto H. Bacher, 1900
    Diving CormorantOtto H. Bacher, 1900Courtesy of the Cleveland Museum of Art
  2. The Stubble Field, by Henry Golden Dearth, c. 1909
    The Stubble FieldHenry Golden Dearth, c. 1909Courtesy of the Cleveland Museum of Art
  3. Leaping Trout, by Winslow Homer, 1889
    Leaping TroutWinslow Homer, 1889Courtesy of the Cleveland Museum of Art
  4. ITALIAN GIRL
    Italian girlElihu Vedder, ca. 1885Courtesy of Cooper Hewitt, Smithsonian Design Museum

First room, south wall

  1. Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899
    Sand Dunes, Harlech, North WalesGeorge Elbert Burr, 1899Courtesy of the Smithsonian American Art Museum
  2. FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND
    Fishermen Beaching a Dory, Cullercoats, EnglandWinslow Homer, 1881Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Christ, by Kenyon Cox, 1905
    ChristKenyon Cox, 1905Courtesy of the Cleveland Museum of Art
  4. A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly MagazineFrederic Remington, n.d.Courtesy of the Art Institute of Chicago

Second room, south wall

  1. The Biglin Brothers Turning the Stake, by Thomas Eakins, 1873
    The Biglin Brothers Turning the StakeThomas Eakins, 1873Courtesy of the Cleveland Museum of Art
  2. Claire Campbell, by Édouard Manet, 1876
    Claire CampbellÉdouard Manet, 1876Courtesy of the Cleveland Museum of Art
  3. The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
    Rainy Day, BostonChilde Hassam, 1886Courtesy National Gallery of Art, Washington

Second room, north wall

  1. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago
  2. Three Girls and River, by Louis M. Eilshemius, 1907
    Three Girls and RiverLouis M. Eilshemius, 1907Courtesy of the Smithsonian American Art Museum
  3. Louis Eilshemius
    Samoan SceneLouis M. Eilshemius, 1908Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution

Third room, north wall

  1. Cartoon for mural of Minnesota State Capital, "Institute of Justice", by Kenyon Cox, ca. 1904
    Cartoon for mural of Minnesota State Capital, "Institute of Justice"Kenyon Cox, ca. 1904Courtesy of the Smithsonian American Art Museum
  2. A Rose, by Thomas Anshutz, 1907
    A RoseThomas Anshutz, 1907Courtesy of The Metropolitan Museum of Art