Floor plan

Time and placeJapan

Japan

A work made of color woodblock print; chuban.
View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861

The works in this room are listed below.

Works in this room

Works made in Japan, from every century in the collection.

Section 1, north wall

  1. A work made of color woodblock print; chuban.
    A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago
  2. View of Futami Beach at Ise, by Shōtei Hokuju, ca. 1810–1820
    View of Futami Beach at IseShōtei Hokuju, ca. 1810–1820Courtesy of The Metropolitan Museum of Art
  3. Outfit for the Game of Incense, by Ryūryūkyo Shinsai, 19th century
    Outfit for the Game of IncenseRyūryūkyo Shinsai, 19th centuryCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
    Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu), by Utagawa (Gountei) Sadahide, 9th month, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan uriba no zu)Utagawa (Gountei) Sadahide, 9th month, 1861Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
    Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
  2. Screen or fusuma (fragment)
    Tiger lilies and grassStyle of Ogata Kenzan, 1663-1868Courtesy of the National Museum of Asian Art, Smithsonian Institution

Section 2, north wall

  1. Daoist Master Fei Zhangfang, by Sesson Shūkei, ca. 1555–61
    Daoist Master Fei ZhangfangSesson Shūkei, ca. 1555–61Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sisterTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
  3. Shimosuwa, from Sixty-Nine Stations of the Kisokaidō, by Utagawa Hiroshige, 1835–38
    Shimosuwa, from Sixty-Nine Stations of the KisokaidōUtagawa Hiroshige, 1835–38Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō", by Utagawa Hiroshige, ca. 1833–34
    Evening Snow at Kanbara, from the series "Fifty-three Stations of the Tōkaidō"Utagawa Hiroshige, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  2. A Courtesan, by Kitagawa Utamaro
    A CourtesanKitagawa UtamaroCourtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  2. Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō), by Utagawa (Gountei) Sadahide, 1861
    Russians Enjoying a Holiday in Yokohama (Yokohama kyūjitsu Roshiajin yūkō)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art
  3. Screens (six-panel)
    Waves at Matsushima 松島図屏風Tawaraya Sotatsu, 17th centuryCourtesy of the National Museum of Asian Art, Smithsonian Institution