Floor plan

Time and placeThe 19th century

The 19th century

Sunrise, by George Inness, 1887
A work made of oil on canvas.
Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
Large English country landscape painting, farmers with horses, green trees.
Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Sunrise, by George Inness, 1887
    SunriseGeorge Inness, 1887Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on canvas.
    The Fountain at GrottaferrataAdrian Ludwig (Ludwig) Richter, 1832Courtesy of the Art Institute of Chicago
  3. Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
    Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Large English country landscape painting, farmers with horses, green trees.
    Stoke-by-NaylandJohn Constable, 1836Courtesy of the Art Institute of Chicago
  2. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  3. A work made of pastel, with wet brush (recto), and pastel (verso) on brown wove paper.
    A Shepherd (Study for “Il Voto”) (recto); Woman Holding a Baby (Study for “Il Voto”) (verso)Francesco Paolo Michetti, c. 1883Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. This painting is a portrait of a man from the waist up. He is facing us, with pale skin, thin lips, rosy cheeks, light green eyes, and gray hair styled into curls around his ears. He has a neutral expression. The man is wearing a dark coat with gold buttons on the front, with a pale-yellow shirt underneath and a white cravat around his neck. The background is a dark and indistinct brown color.
    Abraham KintzingThomas Sully, 1815Courtesy National Gallery of Art, Washington
  2. Study for "A Sunday on La Grande Jatte", by Georges Seurat, 1884
    Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art
  3. The image shows a person lying down, positioned on their side, resting on a pillow. The individual appears to be asleep, with closed eyes, slightly parted lips, and a relaxed facial expression. The person has light-colored hair, partially covered by a white nightcap, and is dressed in white nightwear with a ruffled collar. They are covered by a white blanket and their hand is partially visible near the face, with fingers interlaced. The background features a wooden headboard or furniture piece.
    An Infant Asleep in His CribAdolph Menzel, 1848Courtesy National Gallery of Art, Washington
  4. Untitled (Autumn Leaf), by Mary Vaux Walcott, 1872
    Untitled (Autumn Leaf)Mary Vaux Walcott, 1872Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. Artist: John Adams Elder, Sitter: Robert Edward Lee, Current owner: National Portrait Gallery, Smithsonian Institution
    Robert Edward LeeJohn Adams Elder, 1876Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. The Pleiades, by Elihu Vedder, 1885
    The PleiadesElihu Vedder, 1885Courtesy of The Metropolitan Museum of Art
  3. A work made of watercolor and opaque watercolor on cream wove paper.
    Landscape with River GorgeGeorge Sand, 1860/69Courtesy of the Art Institute of Chicago
  4. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. The Lake of Zug, by Joseph Mallord William Turner, 1843
    The Lake of ZugJoseph Mallord William Turner, 1843Courtesy of The Metropolitan Museum of Art
  2. Operating on Guan Yu's Arm, by Katsushika Ōi, 1840s
    Operating on Guan Yu's ArmKatsushika Ōi, 1840sCourtesy of the Cleveland Museum of Art