Floor plan

Time and placeThe 19th century

The 19th century

Two Draft Horses with a Sleeping Driver, by Jean Louis André Théodore Géricault, 1820–22
This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.
VIEW OF VENICE, ITALY
The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
Descent into the Plain of Granada, by David Roberts, 1834
Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801
A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
The Sea, by Edward Moran, 1870

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Two Draft Horses with a Sleeping Driver, by Jean Louis André Théodore Géricault, 1820–22
    Two Draft Horses with a Sleeping DriverJean Louis André Théodore Géricault, 1820–22Courtesy of The Metropolitan Museum of Art
  2. This painting depicts a wide, grassy green field with distant green hills under a blue sky with fluffy white clouds. To the right of center, two men and one woman seem to be engaged in conversation. One man wears a dark suit with a long jacket over it and a top hat, and the other man wears a red shirt with tan breeches, tall black boots, a shorter brown coat, and a round hat. The woman wears a long pink dress with a ruffled black neckline and a large pink hat. Behind them, on the left, are four people riding horses, all headed towards the back left. On the far left, more men and women in dresses and suits seem to watch as the horses and riders race by, one woman holding a large white parasol. All of the people appear to have light skin, and their facial features are indistinct. The brushstrokes in the painting are loose and visible, and the landscape and sky are painted with short, overlapping lines going in different directions, giving the scene a hazy impression.
    The Race TrackJean Louis Forain, c. 1891Courtesy National Gallery of Art, Washington
  3. VIEW OF VENICE, ITALY
    View of Venice, ItalyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
    Robert ColemanJacob Eichholtz, c. 1820Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Descent into the Plain of Granada, by David Roberts, 1834
    Descent into the Plain of GranadaDavid Roberts, 1834Courtesy of the Cleveland Museum of Art
  2. Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801
    Portrait of Charlotte and Sarah Carteret-HardyThomas Lawrence, 1801Courtesy of the Cleveland Museum of Art
  3. A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.
    Study for "The Blue Girl: Portrait of Miss Elinor Leyland"James McNeill Whistler, c. 1879Courtesy of the Art Institute of Chicago
  4. The Sea, by Edward Moran, 1870
    The SeaEdward Moran, 1870Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. Ichikawa Ebizo IV in the role of Takemura Sadanoshin, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Ichikawa Ebizo IV in the role of Takemura SadanoshinTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), by Edgar Degas, 1865
    A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)Edgar Degas, 1865Courtesy of The Metropolitan Museum of Art
  3. A work made of oil on panel.
    French Street SceneEdouard Béliard, 1873–77Courtesy of the Art Institute of Chicago
  4. A work made of oil on canvas.
    Mill of Pont MaupuitJean Baptiste Armand Guillaumin, c. 1900Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. A Forest with Apollo and Daphne, by Jean-Victor Bertin, 1810
    A Forest with Apollo and DaphneJean-Victor Bertin, 1810Courtesy of the Cleveland Museum of Art
  2. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington
  3. Landscape, by George Inness, 1888
    LandscapeGeorge Inness, 1888Courtesy of the Cleveland Museum of Art
  4. A work made of pastel on brown paper, laid down on board.
    The Call of the StagRosa Bonheur, 1890sCourtesy of the Art Institute of Chicago