Floor plan

Time and placeThe 19th century

The 19th century

Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
Artist: Eastman Johnson, Sitter: Grover Cleveland, Current owner: National Portrait Gallery, Smithsonian Institution
A work made of color woodblock print; shikishiban surimono.
A work made of transparent and opaque watercolor on cream wove paper.
A work made of oil on composition board.
The Departure of the Crusaders, by Victor Nehlig, 1863
The image depicts a rustic village scene featuring thatched-roof cottages, wooden fences, and a low horizon with rooftops and chimneys. The etching showcases detailed brushstrokes capturing various textures, with a monochromatic sepia color palette. A stone or wooden wall leads into the scene, alongside grassy vegetation. The cottages create a sense of enclosure, with trees and other structures in the background. A cart is placed near the wall.

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Mrs. Mayer and Daughter, by Ammi Phillips, 1835–40
    Mrs. Mayer and DaughterAmmi Phillips, 1835–40Courtesy of The Metropolitan Museum of Art
  2. A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
    La Belle JardinièreJames McNeill Whistler, 1894Courtesy of the Art Institute of Chicago
  3. Artist: Eastman Johnson, Sitter: Grover Cleveland, Current owner: National Portrait Gallery, Smithsonian Institution
    Grover ClevelandEastman Johnson, 1884Courtesy of the National Portrait Gallery, Smithsonian Institution
  4. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of transparent and opaque watercolor on cream wove paper.
    Landscape with RocksGeorge Sand, c. 1868/76Courtesy of the Art Institute of Chicago
  2. A work made of oil on composition board.
    Notre Dame de ParisJean-François Rafaëlli, c. 1890Courtesy of the Art Institute of Chicago
  3. The Departure of the Crusaders, by Victor Nehlig, 1863
    The Departure of the CrusadersVictor Nehlig, 1863Courtesy of the Smithsonian American Art Museum
  4. The image depicts a rustic village scene featuring thatched-roof cottages, wooden fences, and a low horizon with rooftops and chimneys. The etching showcases detailed brushstrokes capturing various textures, with a monochromatic sepia color palette. A stone or wooden wall leads into the scene, alongside grassy vegetation. The cottages create a sense of enclosure, with trees and other structures in the background. A cart is placed near the wall.
    Les Grandes ChaumièresFélix-Hilaire Buhot, 1881Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Armor, by Odilon Redon, 1891
    ArmorOdilon Redon, 1891Courtesy of The Metropolitan Museum of Art
  2. La Cervara, the Roman Campagna, by Jean Baptiste Camille Corot, c. 1830–31
    La Cervara, the Roman CampagnaJean Baptiste Camille Corot, c. 1830–31Courtesy of the Cleveland Museum of Art
  3. Two Poplars in the Alpilles near Saint-Rémy, by Vincent van Gogh, 1889
    Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art
  4. Still Life—Violin and Music, by William Michael Harnett, 1888
    Still Life—Violin and MusicWilliam Michael Harnett, 1888Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. At the Café, by Édouard Manet, 1874
    At the CaféÉdouard Manet, 1874Courtesy of the Cleveland Museum of Art
  2. Landscape, by Jasper F. Cropsey, before 1918
    LandscapeJasper F. Cropsey, before 1918Courtesy of the Cleveland Museum of Art
  3. A work made of oil on paper, mounted on canvas.
    Venice Seen from the Public GardenJean Jules Antoine Lecomte du Noüy, 1873Courtesy of the Art Institute of Chicago
  4. Sketch on the Potomac, by Lorenzo J. Hatch, 1883
    Sketch on the PotomacLorenzo J. Hatch, 1883Courtesy of the Smithsonian American Art Museum