Floor plan

Time and placeThe 19th century

The 19th century

Still-life painting, fish, open oysters, eel, lemon on tablecloth.
A work made of oil on canvas.
The image depicts a rustic village scene featuring thatched-roof cottages, wooden fences, and a low horizon with rooftops and chimneys. The etching showcases detailed brushstrokes capturing various textures, with a monochromatic sepia color palette. A stone or wooden wall leads into the scene, alongside grassy vegetation. The cottages create a sense of enclosure, with trees and other structures in the background. A cart is placed near the wall.
Painted in muted lime green, plum purple, buttercup yellow, slate and royal blue, the head and shoulders of a man with peach-colored skin sitting in front of a window looks at us in this stylized, vertical portrait. His body and face are angled to our right but he looks at us from the corners of his eyes, which are grass-green with touches of yellow. One cobalt-blue eyebrow is cocked, and shading in denim blue, butter yellow, and fern green create hollows under both eyes. His flat nose has a broad bridge, and his pale pink lips are closed, the far corner pulled slightly up. His mustache is painted with visible strokes of forest green and his ginger-orange beard is trimmed along his prominent, jutting chin. His short, dark hair is brushed back from his temples and is painted with strokes of pine green, navy blue, and coral orange. His shirt has a wide, golden yellow stripe along the collar above indigo blue, under a grayish-violet purple jacket. The wall over his shoulder, in the upper left corner, is painted vivid lime green with long, vertical brushstrokes. The view through the window beyond his other shoulder is of vegetation and mountains. The portrait is painted with visible brushstrokes throughout, and is especially loose in the background, hair, and jacket. An inscription in dark green script in the upper left reads, “a l'ami Carriere PGauguin.” A second inscription in the lower left is written with dark brown paint: “l'ami Laval PGo.”
A work made of oil on canvas.
LOCUST BLOSSOMS
Aglaida and Boniface, by Alexandre Cabanel, c. 1857
Francois Pierre Guillaume Guizot, by George Peter Alexander Healy, 1841

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. Still-life painting, fish, open oysters, eel, lemon on tablecloth.
    Fish (Still Life)Édouard Manet, 1864Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Still Life with FlowersHenri Fantin-Latour, 1881Courtesy of the Art Institute of Chicago
  3. The image depicts a rustic village scene featuring thatched-roof cottages, wooden fences, and a low horizon with rooftops and chimneys. The etching showcases detailed brushstrokes capturing various textures, with a monochromatic sepia color palette. A stone or wooden wall leads into the scene, alongside grassy vegetation. The cottages create a sense of enclosure, with trees and other structures in the background. A cart is placed near the wall.
    Les Grandes ChaumièresFélix-Hilaire Buhot, 1881Courtesy National Gallery of Art, Washington
  4. Painted in muted lime green, plum purple, buttercup yellow, slate and royal blue, the head and shoulders of a man with peach-colored skin sitting in front of a window looks at us in this stylized, vertical portrait. His body and face are angled to our right but he looks at us from the corners of his eyes, which are grass-green with touches of yellow. One cobalt-blue eyebrow is cocked, and shading in denim blue, butter yellow, and fern green create hollows under both eyes. His flat nose has a broad bridge, and his pale pink lips are closed, the far corner pulled slightly up. His mustache is painted with visible strokes of forest green and his ginger-orange beard is trimmed along his prominent, jutting chin. His short, dark hair is brushed back from his temples and is painted with strokes of pine green, navy blue, and coral orange. His shirt has a wide, golden yellow stripe along the collar above indigo blue, under a grayish-violet purple jacket. The wall over his shoulder, in the upper left corner, is painted vivid lime green with long, vertical brushstrokes. The view through the window beyond his other shoulder is of vegetation and mountains. The portrait is painted with visible brushstrokes throughout, and is especially loose in the background, hair, and jacket. An inscription in dark green script in the upper left reads, “a l'ami Carriere PGauguin.” A second inscription in the lower left is written with dark brown paint: “l'ami Laval PGo.”
    Self-Portrait Dedicated to CarrièrePaul Gauguin, 1888 or 1889Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. A work made of oil on canvas.
    Alfred SisleyPierre-Auguste Renoir, 1876Courtesy of the Art Institute of Chicago
  2. LOCUST BLOSSOMS
    Locust BlossomsSamuel Colman, June 6, 1877Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Aglaida and Boniface, by Alexandre Cabanel, c. 1857
    Aglaida and BonifaceAlexandre Cabanel, c. 1857Courtesy of the Cleveland Museum of Art
  4. Francois Pierre Guillaume Guizot, by George Peter Alexander Healy, 1841
    Francois Pierre Guillaume GuizotGeorge Peter Alexander Healy, 1841Courtesy of the Smithsonian American Art Museum

Section 2, south wall

  1. Twilight in the Wilderness, by Frederic Edwin Church, 1860
    Twilight in the WildernessFrederic Edwin Church, 1860Courtesy of the Cleveland Museum of Art
  2. Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888
    Washerwomen Descending a Quai StaircaseAlexandre Lunois, 1888Courtesy of the Cleveland Museum of Art
  3. Still Life with Fan and Roses, by Thomas Hovenden, 1874
    Still Life with Fan and RosesThomas Hovenden, 1874Courtesy of the Smithsonian American Art Museum
  4. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution

Section 2, north wall

  1. Sunrise over Fishing Waters--Maine, by William E. Norton, ca. 1880
    Sunrise over Fishing Waters--MaineWilliam E. Norton, ca. 1880Courtesy of the Smithsonian American Art Museum
  2. Homage to a Bishop, by François Marius Granet, 1839
    Homage to a BishopFrançois Marius Granet, 1839Courtesy of the Cleveland Museum of Art
  3. Landscape, by J. Francis Murphy, ca. 1880-1890
    LandscapeJ. Francis Murphy, ca. 1880-1890Courtesy of the Smithsonian American Art Museum
  4. A work made of color woodblock print; shikishiban surimono.
    Dawn over Mout Fuji and Susaki, from the series "Five Views of Mount Fuji (Fuji goban no uchi)"Utagawa Kuniyoshi, c. 1827/29Courtesy of the Art Institute of Chicago