Floor plan

Time and place19th-century United States

19th-century United States

Alvan Clark, 1870s
The Yellow Room, by James McNeill Whistler, ca. 1883–84
A work made of color lithograph on paper.
The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
Landscape with Haywain, by Worthington Whittredge, 1861
View of Florence, by Thomas Cole, 1837
STUDY FOR "SCIENTIFIC GROUP"

The works in this room are listed below.

Works in this room

Works made in the United States in the 19th century.

Section 1, north wall

  1. Alvan Clark, 1870s
    Alvan ClarkUnrecorded American maker, 1870sCourtesy of the Cleveland Museum of Art
  2. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art
  3. A work made of color lithograph on paper.
    The Old ViolinWilliam Michael Harnett, 1887Courtesy of the Art Institute of Chicago
  4. The image shows a man sitting and facing the viewer. He has his right hand on a table. The man's hair is gray and neatly styled. He is wearing a dark coat with a high collar, a white shirt, and a yellow vest peeking through. On the table are a quill, inkwell, and papers. The background is a dark, neutral tone.
    Robert ColemanJacob Eichholtz, c. 1820Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. Landscape with Haywain, by Worthington Whittredge, 1861
    Landscape with HaywainWorthington Whittredge, 1861Courtesy of the Cleveland Museum of Art
  2. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art
  3. STUDY FOR "SCIENTIFIC GROUP"
    Study for "Scientific Group"Daniel Huntington, 1858Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. "King Lear," Act I, Scene I, by Edwin Austin Abbey, 1898
    "King Lear," Act I, Scene IEdwin Austin Abbey, 1898Courtesy of The Metropolitan Museum of Art
  2. At the Seaside, by William Merritt Chase, ca. 1892
    At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. The New Bonnet, by Francis William Edmonds, 1858
    The New BonnetFrancis William Edmonds, 1858Courtesy of The Metropolitan Museum of Art
  2. The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.
    The Landing of ColumbusEdward Hicks, c. 1837Courtesy National Gallery of Art, Washington
  3. A work made of pastel and black chalk on brown wove paper with fibrous inclusions.
    Corte del ParadisoJames McNeill Whistler, 1880Courtesy of the Art Institute of Chicago
  4. Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895
    Edward Guthrie KennedyWilliam Merritt Chase, ca. 1895Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Talking It Over, by Enoch Wood Perry, 1872
    Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art
  3. DRAPERY STUDY
    Drapery StudyFrancis Augustus Lathrop, ca. 1895Courtesy of Cooper Hewitt, Smithsonian Design Museum