Floor plan

Time and place18th-century Britain

18th-century Britain

A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.
Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794
Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.
A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.
A work made of red chalk on cream laid paper.
Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779
A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.

The works in this room are listed below.

Works in this room

Works made in Britain in the 18th century.

Section 1, north wall

  1. A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.
    Hannah Presenting Samuel to EliJohn Flaxman, c. 1783Courtesy of the Art Institute of Chicago
  2. Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794
    Portrait of Catherine Grey, Lady MannersThomas Lawrence, 1794Courtesy of the Cleveland Museum of Art
  3. Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.
    Mrs. Paul Cobb MethuenThomas Gainsborough, c. 1776/1777Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.
    Wooded Landscape with Village SceneThomas Gainsborough, early 1770s (not later than 1772)Courtesy of the Art Institute of Chicago
  2. A work made of red chalk on cream laid paper.
    Self-PortraitJohn Flaxman, c. 1779Courtesy of the Art Institute of Chicago
  3. Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779
    Virgil's Tomb by Moonlight, with Silius Italicus DeclaimingJoseph Wright of Derby, 1779Courtesy of The Metropolitan Museum of Art
  4. A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.
    July, from Twelve Months of FlowersHenry Fletcher, n.d.Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of oil on canvas.
    Sir Thomas Rumbold, Bt.Joshua Reynolds, 1788Courtesy of the Art Institute of Chicago
  2. Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72
    Portrait of Colonel Charles HeathcoteJoseph Wright of Derby, c. 1771–72Courtesy of the Cleveland Museum of Art
  3. A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.
    May, from Twelve Months of FlowersHenry Fletcher, n.d.Courtesy of the Art Institute of Chicago
  4. Small Landscape, ca. 1750-1800
    Small LandscapeUnrecorded British maker, ca. 1750-1800Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761
    Portrait of the Ladies Amabel and Mary Jemima YorkeJoshua Reynolds, c. 1761Courtesy of the Cleveland Museum of Art
  2. Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787
    Cottage Children (The Wood Gatherers)Thomas Gainsborough, 1787Courtesy of The Metropolitan Museum of Art
  3. Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5
    Angel of the Revelation (Book of Revelation, chapter 10)William Blake, ca. 1803–5Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782
    Captain George K. H. Coussmaker (1759–1801)Joshua Reynolds, 1782Courtesy of The Metropolitan Museum of Art
  2. Lord Rothes, 1768
    Lord RothesUnrecorded British maker, 1768Courtesy of the Smithsonian American Art Museum