Floor plan

Time and place17th-century France

17th-century France

The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.
Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27
Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658
Painting of Greek landscape, classical architecture, yellow, red robed man reading.
A work made of oil on canvas.
Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s

The works in this room are listed below.

Works in this room

Works made in France in the 17th century.

Section 1, north wall

  1. The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.
    The Four EvangelistsRobert NanteuilCourtesy National Gallery of Art, Washington
  2. Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27
    Nymphs and a Satyr (Amor Vincit Omnia)Nicolas Poussin, c. 1625–27Courtesy of the Cleveland Museum of Art
  3. Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658
    Queen Esther Approaching the Palace of AhasuerusClaude Lorrain (Claude Gellée), 1658Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Painting of Greek landscape, classical architecture, yellow, red robed man reading.
    Landscape with Saint John on PatmosNicolas Poussin, 1640Courtesy of the Art Institute of Chicago
  2. A work made of oil on canvas.
    Peasant Family at a WellThe Master of the Children's Caps, 1650/60Courtesy of the Art Institute of Chicago
  3. Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s
    Still Life with Shells and a Chip-Wood BoxSebastian Stoskopff, late 1620sCourtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34
    The Abduction of the Sabine WomenNicolas Poussin, probably 1633–34Courtesy of The Metropolitan Museum of Art
  2. The Four Seasons: Autumn, by Abraham Bosse, 1635
    The Four Seasons: AutumnAbraham Bosse, 1635Courtesy of the Cleveland Museum of Art

Section 2, north wall

  1. The Trojan Women Setting Fire to Their Fleet, by Claude Lorrain (Claude Gellée), ca. 1643
    The Trojan Women Setting Fire to Their FleetClaude Lorrain (Claude Gellée), ca. 1643Courtesy of The Metropolitan Museum of Art
  2. This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters "A," "F," "D," "H," and another "H" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.
    PendantRobert NanteuilCourtesy National Gallery of Art, Washington
  3. A work made of oil on panel.
    MeeknessEustache Le Sueur, 1650Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Lute Player, by Valentin de Boulogne, ca. 1625–26
    Lute PlayerValentin de Boulogne, ca. 1625–26Courtesy of The Metropolitan Museum of Art
  2. Samson, by Valentin de Boulogne, 1630–31
    SamsonValentin de Boulogne, 1630–31Courtesy of the Cleveland Museum of Art
  3. Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671
    Perseus and the Origin of CoralClaude Lorrain (Claude Gellée), ca. 1671Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Saint Peter Repentant, by Georges de La Tour, 1645
    Saint Peter RepentantGeorges de La Tour, 1645Courtesy of the Cleveland Museum of Art
  2. The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.
    A Rocky PondLaurent de La Hyre, 1640Courtesy National Gallery of Art, Washington