Floor plan

Time and placeThe 15th century

The 15th century

A work made of tempera on panel.
The Last Supper, by Lucantonio degli Uberti, c. 1500
Mountain Market, Clear with Rising Mist, early 1500s
The Last Supper, by Lucantonio degli Uberti, c. 1500
Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, by Maestro delle Storie del Pane, 1494(?)
A work made of album leaf mounted as a hanging scroll; ink and light colors on silk.
The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450

The works in this room are listed below.

Works in this room

Works made in the 15th century, anywhere in the world.

First room, north wall

  1. A work made of tempera on panel.
    Saints Apollonia, Barbara, and AgathaMaster Alejo (Alejo Andía?), 1490–1500Courtesy of the Art Institute of Chicago
  2. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  3. Mountain Market, Clear with Rising Mist, early 1500s
    Mountain Market, Clear with Rising MistUnrecorded Korean maker, early 1500sCourtesy of the Cleveland Museum of Art

First room, south wall

  1. The Last Supper, by Lucantonio degli Uberti, c. 1500
    The Last SupperLucantonio degli Uberti, c. 1500Courtesy of the Cleveland Museum of Art
  2. Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, by Maestro delle Storie del Pane, 1494(?)
    Portrait of a Man, possibly Matteo di Sebastiano di Bernardino GozzadiniMaestro delle Storie del Pane, 1494(?)Courtesy of The Metropolitan Museum of Art
  3. A work made of album leaf mounted as a hanging scroll; ink and light colors on silk.
    Spring View from a Thatched Pavilion on the LakeshoreSchool of Sesshu, late 15th centuryCourtesy of the Art Institute of Chicago
  4. The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450
    The Adoration of the ShepherdsAndrea Mantegna, shortly after 1450Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. A work made of tempera on panel, transferred to canvas.
    Noli Me TangerePerugino, 1500–05Courtesy of the Art Institute of Chicago
  2. The Crucifixion, by Sodoma, 1500s
    The CrucifixionSodoma, 1500sCourtesy of the Cleveland Museum of Art
  3. St. Catherine of Siena and the Beggar, by Giovanni di Paolo, 1460s
    St. Catherine of Siena and the BeggarGiovanni di Paolo, 1460sCourtesy of the Cleveland Museum of Art

Second room, north wall

  1. Madonna and Child Enthroned with Saints, by Raphael, ca. 1504
    Madonna and Child Enthroned with SaintsRaphael, ca. 1504Courtesy of The Metropolitan Museum of Art
  2. A work made of tempera on panel, transferred to canvas.
    The NativityPerugino, 1500–05Courtesy of the Art Institute of Chicago
  3. The painting depicts three adults and a child. The central adult, a woman, holds the child securely to her chest. The woman has pale skin and a white cloth covering her head, and she is wearing a dark cloak over a red robe. The child has curly light brown hair and is unclothed, looking towards the left. A bald man with a white beard, wearing a red garment and holding a key is on the left. On the right, another woman wears a white headscarf and a dark garment, holding a red cross. The background is dark, highlighting the people and their attire. All four of them have thin halos around their heads.
    Madonna and Child with SaintsUnrecorded maker, c. 1490/1500Courtesy National Gallery of Art, Washington

Third room, north wall

  1. "Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp, by Abu'l Qasim Firdausi, ca. 1524
    "Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah TahmaspAbu'l Qasim Firdausi, ca. 1524Courtesy of The Metropolitan Museum of Art
  2. An old man and a young woman holding an infant are seated together in the center of this almost square painting. All three people have pale, peachy skin. To our left, the man sits on a low, tan brick wall with his head bowed to look at the baby on the woman’s lap. A periwinkle-blue cloak is wrapped around the kelly-green robe that covers his shoulders, back, and legs. One hand grips a short staff planted on the ground. His receding white hair and beard are thin and scraggly with tufts sticking out over his ears. The woman sits next to and slightly in front of him, to our right, on a low rock, her body angled toward the man. A long, cobalt-blue cloak is draped around her shoulders and covers her knees over her rose-pink gown. Her honey-brown hair is parted in the middle and gathered at the back of her head. Her brown eyes look down at the infant, who is blond with brown eyes. A long white shawl is tucked into the neckline of her dress, drapes over her shoulders, and wraps under the baby as she cradles his body with one hand under his backside and the other behind his head. The baby lies on his back with his head turned toward the woman, and he points to her with one outstretched arm. The dirt ground is scattered with pebbles that make a loose ring around the trio, with moss-green growth to either side. A brown brick wall fills the upper half of the composition behind the people and extends off the top edge. A rounded arch pierces the back wall to our right of the woman. On the other side of the opening, trees with copper-brown leaves grow up along the left and the landscape beyond opens onto rocky hills with a white, square tower. In the deep distance, the silhouette of a town is painted in robin’s egg-blue against a pale peach horizon line. Thin, white clouds skim across the blue sky above.
    The Holy FamilyGiorgione, probably c. 1500Courtesy National Gallery of Art, Washington
  3. A work made of pen and brown ink on cream laid paper.
    Wooded Landscape with Donkeys and Goats, and Castle on Hill in DistancePaul Bril, n.d.Courtesy of the Art Institute of Chicago