Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

A work made of oil on panel.
Enclosed Valley, by Hercules Seghers, c. 1623–30
A work made of engraving in black on cream laid paper.
Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
A work made of engraving on two joined sheets of ivory laid paper.
Interior of a Church, by Emanuel de Witte, c. 1680

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. A work made of oil on panel.
    Trompe-l'Oeil Still Life with a Flower Garland and a CurtainAdriaen van der Spelt, 1658Courtesy of the Art Institute of Chicago
  2. Enclosed Valley, by Hercules Seghers, c. 1623–30
    Enclosed ValleyHercules Seghers, c. 1623–30Courtesy of the Cleveland Museum of Art
  3. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  4. Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
    Travelers in Hilly CountrysideAelbert Cuyp, c. 1650Courtesy of the Cleveland Museum of Art

East wall

  1. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  2. A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33
    A View of Bracciano with the Church of S. Maria AssuntaBartholomeus Breenberg, c. 1619–33Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago
  4. Interior of a Church, by Emanuel de Witte, c. 1680
    Interior of a ChurchEmanuel de Witte, c. 1680Courtesy of the Cleveland Museum of Art

West wall

  1. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    Still LifePieter Claesz, c. 1625Courtesy of the Art Institute of Chicago
  3. A work made of oil on panel.
    Breakfast Still LifeWillem Claesz. Heda, 1647Courtesy of the Art Institute of Chicago
  4. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago

South wall

  1. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  2. Portrait of Elizabeth Spiegel, by Dirck Dircksz. Santvoort, 1639
    Portrait of Elizabeth SpiegelDirck Dircksz. Santvoort, 1639Courtesy of the Cleveland Museum of Art
  3. A work made of oil on canvas.
    The Music LessonGerard ter Borch the Younger, c. 1670Courtesy of the Art Institute of Chicago
  4. Rush Gatherers, by Nicolaes Berchem, 1657
    Rush GatherersNicolaes Berchem, 1657Courtesy of the Cleveland Museum of Art