Floor plan

Artist galleriesUnrecorded makers of India

Unrecorded makers of India

Toilette of Radha, c. 1810–20
The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
Green Parrot, c. 1820
Krishna Lifting Mount Govardhan, c. 1780–90
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
Mahadevi, the Great Goddess, ca. 1725
A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
Krishna in the Form of Shri Nathji, ca. 1840

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name, made in India.

First room, north wall

  1. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  2. The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
    The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)Unrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  3. Green Parrot, c. 1820
    Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art
  4. Krishna Lifting Mount Govardhan, c. 1780–90
    Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art

First room, south wall

  1. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  2. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art
  3. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  4. Krishna in the Form of Shri Nathji, ca. 1840
    Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
  2. Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
    Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art
  3. Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560
    Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  4. A work made of opaque watercolor on paper.
    The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat PuranaUnrecorded Indian maker, c. 1520–1530Courtesy of the Art Institute of Chicago

Second room, north wall

  1. A Lady Playing the Tanpura, ca. 1735
    A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
  2. A work made of opaque watercolor and gold on paper.
    Holi Festival in a Walled Garden with CelebrantsUnrecorded Indian maker, c. 1764Courtesy of the Art Institute of Chicago
  3. A work made of opaque watercolor on paper.
    Royal Women Feeding FishUnrecorded Indian maker, c. 1740Courtesy of the Art Institute of Chicago
  4. Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art