Floor plan

Artist galleriesAuguste Lepère's contemporaries

Auguste Lepère's contemporaries

The image depicts a landscape with a road alongside a canal. The view is elevated, showing the road, canal, trees, and structures on the horizon. The style of the sketch is characterized by soft lines and shading, creating depth. The color palette is monochromatic with shades of gray. Closest to us, a canal borders the road with some ducks in the water. Figures and carts are seen on the road leading into the distance.
Impressionist painting of seated man, girl with brown, black hues.
Symbolic Head, by Odilon Redon, c. 1890
Self-Portrait, by Edgar Degas, 1857
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”
A work made of oil on paper, mounted on canvas.
Sculptress, by Eugène Grasset, 1897

The works in this room are listed below.

Works in this room

A few works by Auguste Lepère, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. The image depicts a landscape with a road alongside a canal. The view is elevated, showing the road, canal, trees, and structures on the horizon. The style of the sketch is characterized by soft lines and shading, creating depth. The color palette is monochromatic with shades of gray. Closest to us, a canal borders the road with some ducks in the water. Figures and carts are seen on the road leading into the distance.
    Arrivee au MarcheAuguste LepèreCourtesy National Gallery of Art, Washington
  2. Impressionist painting of seated man, girl with brown, black hues.
    Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)Edgar Degas, 1875–76Courtesy of the Art Institute of Chicago
  3. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  4. Self-Portrait, by Edgar Degas, 1857
    Self-PortraitEdgar Degas, 1857Courtesy of the Cleveland Museum of Art

Their contemporaries

  1. At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), by Henri de Toulouse-Lautrec, 1899
    At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
  2. A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B. Marshy grasses grow in tufts, and palm and other trees grow in a grove to our left. One brown-skinned person wearing only a white cloth around the hips carries a long stick near the shoreline. Dabs of brown and muted dark pink suggest other people farther along the riverside. Tree-covered boulders jut into the creek from our right. A band of rocky, mountains are smoky mauve-pink across the rightmost two-thirds of the horizon, which comes a third of the way up the composition. The butter-yellow sun is low on the horizon to our right, peeking through the grove of palm trees. The light pours across the placid surface of the creek, creating a soft yellow streak next to the reflection of the mountain ridge. A few heather-pink clouds drift across the pale turquoise sky. The artist signed and dated the painting in the lower left corner, “C. Pizarro. 1856. Paris.”
    A Creek in St. Thomas (Virgin Islands)Camille Pissarro, 1856Courtesy National Gallery of Art, Washington
  3. A work made of oil on paper, mounted on canvas.
    Venice Seen from the Public GardenJean Jules Antoine Lecomte du Noüy, 1873Courtesy of the Art Institute of Chicago
  4. Sculptress, by Eugène Grasset, 1897
    SculptressEugène Grasset, 1897Courtesy of the Cleveland Museum of Art