Floor plan

Style galleriesUkiyo-e

Ukiyo-e

A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
A work made of color woodblock print; oban.
Net Fishing at Night on the Sumida River, by Kitagawa Utamaro, c. 1800
The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
A work made of color woodblock print; long surimono.
The Monkey Bridge, by Katsushika Taito II, early 1830s

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. A Picture of the Viewing in the Pleasure Quarters, by Kikukawa Eizan, 1810s
    A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    Three Beauties of Our Time (Tosei san bijin)Chokosai Eisho, n.d.Courtesy of the Art Institute of Chicago
  3. Net Fishing at Night on the Sumida River, by Kitagawa Utamaro, c. 1800
    Net Fishing at Night on the Sumida RiverKitagawa Utamaro, c. 1800Courtesy of the Cleveland Museum of Art

Section 1, south wall

  1. The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, by Katsukawa Shunshō, ca. 1781
    The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His HandKatsukawa Shunshō, ca. 1781Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; long surimono.
    Plants, Porcelain Bowl, and Glass GobletKatsukawa Shunshō, c. 1789Courtesy of the Art Institute of Chicago
  3. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art

Section 2, south wall

  1. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    Sazai Hall at the Temple of the Five Hundred Arhats (Gohyakurakanji Sazaido), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), by Katsushika Hokusai, ca. 1832
    Yōrō Waterfall in Mino Province (Mino no Yōrō no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)Katsushika Hokusai, ca. 1832Courtesy of The Metropolitan Museum of Art
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art
  3. Kanō, from the series Sixty-nine Stations of the Kisokaidō, by Utagawa Hiroshige, c. 1835–37
    Kanō, from the series Sixty-nine Stations of the KisokaidōUtagawa Hiroshige, c. 1835–37Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; oban triptych.
    Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban triptych.
    Iris GardenKatsukawa Shunchô, c. 1781/89Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  2. Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), by Kitagawa Utamaro, ca. 1798–99
    Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)Kitagawa Utamaro, ca. 1798–99Courtesy of The Metropolitan Museum of Art
  3. Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge, by Chôbunsai Eishi, c. 1792
    Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi BridgeChôbunsai Eishi, c. 1792Courtesy of the Cleveland Museum of Art