Floor plan

Style galleriesUkiyo-e

Ukiyo-e

The Actor Onoye Matsusuke as a Ronin, by Tōshūsai Sharaku
Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
A work made of color woodblock print; hosoban; triptych.
A work made of page from a color woodblock-printed volume.
A work made of color woodblock print; uchiwa-e, aizuri-e.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. The Actor Onoye Matsusuke as a Ronin, by Tōshūsai Sharaku
    The Actor Onoye Matsusuke as a RoninTōshūsai SharakuCourtesy of The Metropolitan Museum of Art
  2. Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
    Kiyomizu Komachi, from the series Futabagusa nana KomachiKitagawa Utamaro, 1790sCourtesy of The Metropolitan Museum of Art
  3. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A work made of color woodblock print; hosoban; triptych.
    The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago
  2. A work made of page from a color woodblock-printed volume.
    The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; uchiwa-e, aizuri-e.
    Mount Fuji Rising beyond Miho BeachUtagawa Hiroshige, c. 1838/42Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Kingfisher and Chinese Bellflowers, by Utagawa Hiroshige, early or mid-1830s
    Kingfisher and Chinese BellflowersUtagawa Hiroshige, early or mid-1830sCourtesy of the Cleveland Museum of Art
  3. A work made of woodblock print, ink and colors on paper.
    Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbo), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tokaido (Shoga gojusan eki)Utagawa Yoshimori, 1982Courtesy of the Art Institute of Chicago

Section 2, north wall

  1. Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
    Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
  2. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  3. Books and Cards, by Reisai, 18th–19th century
    Books and CardsReisai, 18th–19th centuryCourtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  2. Miyako Shell, by Katsushika Hokusai, probably 1821
    Miyako ShellKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. A work made of color woodblock print; chuban.
    A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art