Floor plan

Style galleriesRomanticism

Romanticism

Elijah Boardman, by Ralph Earl, 1789
The Alling Children, by Oliver Tarbell Eddy, ca. 1839
A FRENCH RESTORATION BEDROOM
Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
A work made of etching on ivory wove paper.
Luman Reed, by Asher Brown Durand, 1835
A work made of oil on canvas.

The works in this room are listed below.

Works in this room

Sublime landscapes, storms and feeling, from about 1780 to 1850.

Section 1, north wall

  1. Elijah Boardman, by Ralph Earl, 1789
    Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art
  2. The Alling Children, by Oliver Tarbell Eddy, ca. 1839
    The Alling ChildrenOliver Tarbell Eddy, ca. 1839Courtesy of The Metropolitan Museum of Art
  3. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 1, south wall

  1. Fur Traders Descending the Missouri, by George Caleb Bingham, 1845
    Fur Traders Descending the MissouriGeorge Caleb Bingham, 1845Courtesy of The Metropolitan Museum of Art
  2. A work made of etching on ivory wove paper.
    Child with RosebudPhillip Otto Runge, n.d.Courtesy of the Art Institute of Chicago
  3. Luman Reed, by Asher Brown Durand, 1835
    Luman ReedAsher Brown Durand, 1835Courtesy of The Metropolitan Museum of Art
  4. A work made of oil on canvas.
    The Fountain at GrottaferrataAdrian Ludwig (Ludwig) Richter, 1832Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. The Knapp Children, by Samuel Lovett Waldo, ca. 1833–34
    The Knapp ChildrenSamuel Lovett Waldo, ca. 1833–34Courtesy of The Metropolitan Museum of Art
  2. The American Star (George Washington), by Frederick Kemmelmeyer, ca. 1803
    The American Star (George Washington)Frederick Kemmelmeyer, ca. 1803Courtesy of The Metropolitan Museum of Art
  3. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Landscape—Scene from "Thanatopsis", by Asher Brown Durand, 1850
    Landscape—Scene from "Thanatopsis"Asher Brown Durand, 1850Courtesy of The Metropolitan Museum of Art
  2. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. The Falls of Niagara, by Edward Hicks, ca. 1825
    The Falls of NiagaraEdward Hicks, ca. 1825Courtesy of The Metropolitan Museum of Art
  2. Musidora, by Thomas Sully, 1813–35
    MusidoraThomas Sully, 1813–35Courtesy of The Metropolitan Museum of Art
  3. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art
  4. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington