Floor plan

Style galleriesRealism

Realism

Thomas Anshutz
The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866
The Veteran in a New Field, by Winslow Homer, 1865
ROOKWOOD POTTERY
The Music Lesson, by John George Brown, 1870
Reapers Resting in a Wheat Field, by John Singer Sargent, 1885
Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885

The works in this room are listed below.

Works in this room

Ordinary people and working lives, painted as they were, from the 1840s on.

First room, north wall

  1. Thomas Anshutz
    Factory--Study for "Ironworkers, Noontime"/Verso: Still Life with OrangeThomas Anshutz, (1880)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  2. The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room, by Seymour Joseph Guy, 1866
    The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-RoomSeymour Joseph Guy, 1866Courtesy of The Metropolitan Museum of Art
  3. The Veteran in a New Field, by Winslow Homer, 1865
    The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art
  4. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum

First room, south wall

  1. The Music Lesson, by John George Brown, 1870
    The Music LessonJohn George Brown, 1870Courtesy of The Metropolitan Museum of Art
  2. Reapers Resting in a Wheat Field, by John Singer Sargent, 1885
    Reapers Resting in a Wheat FieldJohn Singer Sargent, 1885Courtesy of The Metropolitan Museum of Art
  3. Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
    Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. The Champion Single Sculls (Max Schmitt in a Single Scull), by Thomas Eakins, 1871
    The Champion Single Sculls (Max Schmitt in a Single Scull)Thomas Eakins, 1871Courtesy of The Metropolitan Museum of Art
  2. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art
  3. Oil painting
    An Orange Note: Sweet ShopJames McNeill Whistler, 1883 or 1884Courtesy of the National Museum of Asian Art, Smithsonian Institution

Second room, north wall

  1. Newburyport Meadows, by Martin Johnson Heade, ca. 1876–81
    Newburyport MeadowsMartin Johnson Heade, ca. 1876–81Courtesy of The Metropolitan Museum of Art
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  3. At the Seaside, by William Merritt Chase, ca. 1892
    At the SeasideWilliam Merritt Chase, ca. 1892Courtesy of The Metropolitan Museum of Art
  4. A VILLAGE SQUARE
    A Village SquareWalter Shirlaw, 1875–80Courtesy of Cooper Hewitt, Smithsonian Design Museum

Third room, north wall

  1. Talking It Over, by Enoch Wood Perry, 1872
    Talking It OverEnoch Wood Perry, 1872Courtesy of The Metropolitan Museum of Art
  2. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art