Floor plan

Style galleriesRealism

Realism

Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Watercolor
The Veteran in a New Field, by Winslow Homer, 1865
Plums, by John William Hill, 1870
Louis Eilshemius
Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885

The works in this room are listed below.

Works in this room

Ordinary people and working lives, painted as they were, from the 1840s on.

First room, north wall

  1. Stage Fort across Gloucester Harbor, by Fitz Henry Lane, 1862
    Stage Fort across Gloucester HarborFitz Henry Lane, 1862Courtesy of The Metropolitan Museum of Art
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art
  3. Watercolor
    Pink Note–Shelling PeasJames McNeill Whistler, 1882-1884Courtesy of the National Museum of Asian Art, Smithsonian Institution

First room, south wall

  1. The Veteran in a New Field, by Winslow Homer, 1865
    The Veteran in a New FieldWinslow Homer, 1865Courtesy of The Metropolitan Museum of Art
  2. Plums, by John William Hill, 1870
    PlumsJohn William Hill, 1870Courtesy of The Metropolitan Museum of Art
  3. Louis Eilshemius
    Spanish LadyLouis M. Eilshemius, 1889Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  4. Variations in Violet and Grey—Market Place, Dieppe, by James McNeill Whistler, 1885
    Variations in Violet and Grey—Market Place, DieppeJames McNeill Whistler, 1885Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. John Quincy Adams Ward, by Henry Augustus Loop, 1863
    John Quincy Adams WardHenry Augustus Loop, 1863Courtesy of The Metropolitan Museum of Art
  2. Inside the Bar, by Winslow Homer, 1883
    Inside the BarWinslow Homer, 1883Courtesy of The Metropolitan Museum of Art
  3. Autumn Oaks, by George Inness, ca. 1878
    Autumn OaksGeorge Inness, ca. 1878Courtesy of The Metropolitan Museum of Art
  4. Untitled (Cracked Watermelon), by Charles Ethan Porter, ca. 1890
    Untitled (Cracked Watermelon)Charles Ethan Porter, ca. 1890Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Madame X (Virginie Amélie Avegno Gautreau), by John Singer Sargent, 1883–84
    Madame X (Virginie Amélie Avegno Gautreau)John Singer Sargent, 1883–84Courtesy of The Metropolitan Museum of Art
  2. The Yellow Room, by James McNeill Whistler, ca. 1883–84
    The Yellow RoomJames McNeill Whistler, ca. 1883–84Courtesy of The Metropolitan Museum of Art
  3. Dance in a Subterranean Roundhouse at Clear Lake, California, by Jules Tavernier, 1878
    Dance in a Subterranean Roundhouse at Clear Lake, CaliforniaJules Tavernier, 1878Courtesy of The Metropolitan Museum of Art

Third room, north wall

  1. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. Wild Roses and Irises, by John La Farge, 1887
    Wild Roses and IrisesJohn La Farge, 1887Courtesy of The Metropolitan Museum of Art