Floor plan

Style galleriesThe Northern Renaissance

The Northern Renaissance

Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511
Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22
This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.
Fish Market, by Joachim Beuckelaer, 1568

The works in this room are listed below.

Works in this room

Dürer's prints, Holbein's portraits and the art of northern Europe in the 1500s.

Section 1, north wall

  1. Saint John on Patmos, by Hans Baldung (called Hans Baldung Grien), ca. 1511
    Saint John on PatmosHans Baldung (called Hans Baldung Grien), ca. 1511Courtesy of The Metropolitan Museum of Art
  2. Landscape with a Double Spruce, by Albrecht Altdorfer, ca. 1521–22
    Landscape with a Double SpruceAlbrecht Altdorfer, ca. 1521–22Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. This print features a detailed scene. In the center is a classical-style pavilion with arched openings and a domed roof adorned with intricate designs. A group of mostly-nude people is gathered around the pavilion, with one on horseback, holding a spear, and another holding a flag. In front of the pavilion, a knight on horseback appears to be falling into a dark hole in the ground. Vegetation, including trees and shrubs, is scattered throughout the landscape, and birds are seen flying in the sky above the pavilion. The horizon shows hills leading to a distant castle on a rocky formation on the right.
    Marcus Curtius Plunging into the ChasmLucas Cranach the ElderCourtesy National Gallery of Art, Washington
  2. Fish Market, by Joachim Beuckelaer, 1568
    Fish MarketJoachim Beuckelaer, 1568Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. Christ Carrying the Cross, by Martin Schongauer, ca. 1475–80
    Christ Carrying the CrossMartin Schongauer, ca. 1475–80Courtesy of The Metropolitan Museum of Art
  2. The image features a landscape view of a medieval village scene. It includes a stone bridge over a river, buildings, a church with a tower, trees, hills, mountains, and cloudy sky. The image is depicted in intricate detail using a monochromatic palette, focusing on contrasts of light and shadow.
    Mountainous Landscape with a VillageHanns Lautensack, 1553Courtesy National Gallery of Art, Washington

Section 2, north wall

  1. Three insects are depicted in the image: a butterfly with dark blue and red wings on the bottom left, a larger butterfly with white, black, and blue patterns at the top center, and a dragonfly with brown and gold tones on the bottom right. The color palette includes rich blues, reds, browns, and golds against a neutral background. The central butterfly is positioned higher than the other two insects, with the left butterfly and right dragonfly symmetrically arranged below.
    Plate 13: Yellow Swallowtail and Red Admiral Butterflies with a Dragonfly (Broad-Bodied Chaser?)Joris Hoefnagel, c.1575/1590sCourtesy National Gallery of Art, Washington
  2. A work made of engraving on paper.
    Spes, plate 2 from The Seven VirtuesHieronymous Wierix, c. 1598Courtesy of the Art Institute of Chicago
  3. The Entrance Hall of the Regensburg Synagogue, by Albrecht Altdorfer, 1519
    The Entrance Hall of the Regensburg SynagogueAlbrecht Altdorfer, 1519Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. This is a painting depicting a heraldic coat of arms. The image features a detailed coat of arms with a central shield, adorned with black and gold sections, and additional decorative elements above it. There is a figure resembling a unicorn emerging from the crest. The background is a deep red hue. The artwork is displayed within a wooden frame with crossbars. This style is associated with displaying family crests and lineage.
    Hans Roth [reverse]Bernhard Strigel, 1527Courtesy National Gallery of Art, Washington
  2. A work made of etching on ivory laid paper.
    St. John the EvangelistBartholomaeus Spranger, c. 1590Courtesy of the Art Institute of Chicago
  3. A work made of engraving in black on cream laid paper.
    The Carnival (or the Prodigal Son)Jan Sadeler, I, 1588Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. This is a drawing of a winged figure with a sheep, accompanied by a mythical creature and cherubs. The central figure is holding the sheep tenderly. On the left, two cherubs are flying with a laurel branch, under the word "PACIENTIA." On the right is a mythical creature with dragon-like features. Below the scene, a plaque with an inscription is placed against the pedestal. The artwork is detailed with lines, cross-hatching, and shading, accentuating textures and forms.
    Pacientia (Patience)Sebald Beham, 1540Courtesy National Gallery of Art, Washington
  2. Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589
    Still Life with Flowers, a Snail and InsectsJoris Hoefnagel, 1589Courtesy of The Metropolitan Museum of Art

Section 4, south wall

  1. This painting shows a man from the waist up. He is facing forward and gazes out at us. He has fair skin, light brown hair, a thin mustache and beard, and light green eyes. His expression is mostly neutral, although his peach lips are slightly turned up at the edges. He is wearing a black garment with a high collar and a hood and a black flat cap on his head. The background is plain blue, fading to black around the edges of the painting.
    Portrait of a ManCorneille de Lyon, c. 1536/1540Courtesy National Gallery of Art, Washington
  2. Adam and Eve, by Albrecht Dürer, 1504
    Adam and EveAlbrecht Dürer, 1504Courtesy of The Metropolitan Museum of Art