Floor plan

Style galleriesHudson River School

Hudson River School

October in the Marshes, by John Frederick Kensett, 1872
The Parthenon, by Frederic Edwin Church, 1871
Lake George, by John Frederick Kensett, 1869
View near Newport, by John Frederick Kensett, 1860s
ITALIAN FARMHOUSE

The works in this room are listed below.

Works in this room

American landscape painters of the mid-1800s who made wilderness their grand subject.

Section 1, north wall

  1. October in the Marshes, by John Frederick Kensett, 1872
    October in the MarshesJohn Frederick Kensett, 1872Courtesy of The Metropolitan Museum of Art
  2. The Parthenon, by Frederic Edwin Church, 1871
    The ParthenonFrederic Edwin Church, 1871Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Lake George, by John Frederick Kensett, 1869
    Lake GeorgeJohn Frederick Kensett, 1869Courtesy of The Metropolitan Museum of Art
  2. View near Newport, by John Frederick Kensett, 1860s
    View near NewportJohn Frederick Kensett, 1860sCourtesy of the Cleveland Museum of Art
  3. ITALIAN FARMHOUSE
    Italian FarmhouseFrederic Edwin Church, September 1868 - April 1869Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, south wall

  1. Heart of the Andes, by Frederic Edwin Church, 1859
    Heart of the AndesFrederic Edwin Church, 1859Courtesy of The Metropolitan Museum of Art
  2. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington
  3. Near Ariccia, Italy, by Sanford Robinson Gifford, 1868
    Near Ariccia, ItalySanford Robinson Gifford, 1868Courtesy of the Smithsonian American Art Museum

Section 2, north wall

  1. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836
    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole, 1836Courtesy of The Metropolitan Museum of Art
  2. Mountains in Colorado, by John Frederick Kensett, 1870
    Mountains in ColoradoJohn Frederick Kensett, 1870Courtesy of the Smithsonian American Art Museum
  3. The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers. In the distance, a wooden dock extends into the lake on the left, and a person wearing red appears to sit or stand with their back to us.
    Landing at Sabbath Day PointJohn Frederick Kensett, c. 1853Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. View of Florence, by Thomas Cole, 1837
    View of FlorenceThomas Cole, 1837Courtesy of the Cleveland Museum of Art
  2. NEAR MEADOW CREEK, UTAH
    Near Meadow Creek, UtahThomas Moran, July 25, 1871Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, south wall

  1. The Aegean Sea, by Frederic Edwin Church, ca. 1877
    The Aegean SeaFrederic Edwin Church, ca. 1877Courtesy of The Metropolitan Museum of Art
  2. The Valley of Wyoming, by Jasper Francis Cropsey, 1865
    The Valley of WyomingJasper Francis Cropsey, 1865Courtesy of The Metropolitan Museum of Art
  3. Albert Bierstadt
    Gathering StormAlbert Bierstadt, (c. 1857-1858)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution