Floor plan

Style galleriesDrawings

Drawings

Madame Helleu Cradling Paulette in Her Arms, by Paul-César Helleu, 1904/1905
A Bear Walking, by Leonardo da Vinci, ca. 1482–85
Sunset, by Eugène Delacroix, ca. 1850
The Lake of Zug, by Joseph Mallord William Turner, 1843
Bray Church Yard, by John Varley, 1807

The works in this room are listed below.

Works in this room

Every one of the collection's drawings, in today's hang.

Section 1, north wall

  1. Madame Helleu Cradling Paulette in Her Arms, by Paul-César Helleu, 1904/1905
    Madame Helleu Cradling Paulette in Her ArmsPaul-César Helleu, 1904/1905Courtesy National Gallery of Art, Washington
  2. A Bear Walking, by Leonardo da Vinci, ca. 1482–85
    A Bear WalkingLeonardo da Vinci, ca. 1482–85Courtesy of The Metropolitan Museum of Art
  3. Sunset, by Eugène Delacroix, ca. 1850
    SunsetEugène Delacroix, ca. 1850Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. The Lake of Zug, by Joseph Mallord William Turner, 1843
    The Lake of ZugJoseph Mallord William Turner, 1843Courtesy of The Metropolitan Museum of Art
  2. Bray Church Yard, by John Varley, 1807
    Bray Church YardJohn Varley, 1807Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. ROOKWOOD POTTERY
    Rookwood PotteryGeorge Gibson, 1886Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. This is a drawing of a person leading a donkey laden with goods. The image depicts a scene with a donkey walking to the left side while being guided by an individual dressed in layered clothing. The donkey is burdened with sacks or baskets that are strapped to its back. The lines and shading are subtle and detailed, capturing the texture of the clothing and fur. The figure and the donkey are positioned on a lightly sketched landscape with a few hints of foliage to the right, suggesting a rural setting. The drawing's simplicity and detail suggest a narrative moment, with a sense of movement and purpose conveyed through the lines.
    The Milkmaid of BoulogneAlphonse LegrosCourtesy National Gallery of Art, Washington

Section 2, north wall

  1. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  2. The image shows a painted artwork within an ornate frame. The artwork features a figure standing with one hand raised. The figure has long hair and a beard, and wears flowing blue and white garments. The background shows an earthy surface and a sky. The frame is gold and elaborately designed. The scene is set against a blank, light-colored background.
    Original Tabernacle, for Communion VesselsDayton Brown, 1936Courtesy National Gallery of Art, Washington
  3. This is a drawing of a wooden chair with detailed upholstery. The chair has an ornate, high backrest with elaborate scrollwork and a woven central panel. The seat is cushioned and covered with a floral patterned fabric. There is also a separate drawing of the fabric pattern used on the seat and a sketch of one of the chair's legs to show the craftsmanship and decorative elements.
    Side ChairUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington

Section 3, north wall

  1. FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND
    Fishermen Beaching a Dory, Cullercoats, EnglandWinslow Homer, 1881Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The image shows a tall, narrow wooden table with a square top and four long, slender legs. The color palette is warm with shades of light brown and reddish-brown on the table. Positioned centrally, the table stands against a plain, light-colored background.
    Shaker StandRay Holden, c. 1936Courtesy National Gallery of Art, Washington
  3. The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.
    Cuff LaceErwin Schwabe, c. 1937Courtesy National Gallery of Art, Washington

Section 3, south wall

  1. Dancers, by Edgar Degas, c. 1896
    DancersEdgar Degas, c. 1896Courtesy of the Cleveland Museum of Art
  2. The image displays a detailed pencil sketch of a curved architectural structure in the center of a light beige canvas. The sketch is in grayscale, with a simple color palette. The object occupies a small portion of the canvas, surrounded by negative space.
    Knee BuckleEdna Crenshaw Rex, c. 1937Courtesy National Gallery of Art, Washington
  3. This is a painting of an architectural scene with decorative and religious elements. The painting features a grand interior setting, possibly a church or cathedral, dominated by ornate columns and a ceiling structure. Figures appear on pedestals atop the columns. In the background, there is a depiction of a religious or ceremonial space with detailed balustrades and steps, where figures are shown in dynamic poses. The color palette consists of warm golden hues contrasted with cooler grey tones, highlighting the intricate details of the architecture and figures. This is in the style of Giovanni Battista Tiepolo.
    Worshippers at the Tomb of Saint PeterMatthäus Günther, 1740/1741Courtesy National Gallery of Art, Washington