Floor plan

Style galleriesDrawings of the 19th century

Drawings of the 19th century

Sabrina, by Samuel Palmer, 1856
Lady Lilith, by Dante Gabriel Rossetti, 1867
STUDY OF LANDSCAPE, DELAWARE RIVER
Boy with Anchor, by Winslow Homer, 1873

The works in this room are listed below.

Works in this room

Drawings made in the 19th century, from every museum.

Section 1, north wall

  1. Sabrina, by Samuel Palmer, 1856
    SabrinaSamuel Palmer, 1856Courtesy of The Metropolitan Museum of Art
  2. Lady Lilith, by Dante Gabriel Rossetti, 1867
    Lady LilithDante Gabriel Rossetti, 1867Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. STUDY OF LANDSCAPE, DELAWARE RIVER
    Study of landscape, Delaware RiverWilliam Stanley Haseltine, ca. 1855Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. Boy with Anchor, by Winslow Homer, 1873
    Boy with AnchorWinslow Homer, 1873Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. CENTURY PLANT, JAMAICA
    Century Plant, JamaicaFrederic Edwin Church, May–September 1865Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. NEAR MEADOW CREEK, UTAH
    Near Meadow Creek, UtahThomas Moran, July 25, 1871Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. A FRENCH RESTORATION BEDROOM
    A French Restoration BedroomBouilhet, French, 1823Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. The image shows a dense, forested area with towering trees. The composition leads the eye along a pathway into the distance, without a distinct horizon line. The intricate brushstrokes depict the texture and foliage of the trees, suggesting movement and light filtering through the leaves. The color palette is rich and earthy, with shades of green, brown, yellow, and orange, creating a vibrant yet tranquil atmosphere emphasizing light and shadow.
    Rays of Sunlight Striking a Woodland PathFriedrich Salathé, c. 1815Courtesy National Gallery of Art, Washington
  2. VIEW OF VENICE, ITALY
    View of Venice, ItalyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. Tahitian Faces (Frontal View and Profiles), by Paul Gauguin, ca. 1899
    Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Landscape with Wheelbarrow, by Vincent van Gogh, 1883
    Landscape with WheelbarrowVincent van Gogh, 1883Courtesy of the Cleveland Museum of Art
  2. The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.
    Rainy Day, BostonChilde Hassam, 1886Courtesy National Gallery of Art, Washington
  3. A Woman Seated at a Bench on the Avenue du Bois, by Berthe Morisot, 1885
    A Woman Seated at a Bench on the Avenue du BoisBerthe Morisot, 1885Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.
    Asian Tea PotsHenry Farrer, n.d.Courtesy National Gallery of Art, Washington
  2. At the Concert Parisien, by Georges Seurat, 1887–88
    At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art
  3. Souvenir of a Castle in Vosges, by Victor Hugo, 1857
    Souvenir of a Castle in VosgesVictor Hugo, 1857Courtesy of The Metropolitan Museum of Art