Floor plan

Style galleriesDrawings of the 19th century

Drawings of the 19th century

Dancers, by Edgar Degas, c. 1896
The image features two men in military uniform engaging closely with each other. Both are shown from head to toe. The man on the left stands with his left leg forward, holding a rifle, and has his right arm around the shoulder of the other man. The man on the right has his right leg slightly bent, supporting his weight, and is holding a sword in his left hand. Each man has distinctive facial features. Both wear tall, elaborate military hats and detailed uniforms. The man on the left displays a strap over his shoulder, while the man on the right has intricate decorations on his jacket and trousers. In the background, there are a few more soldiers and part of a building to the left. The setting is monochromatic.
This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
THE VIRGIN WITH THE CHILD
This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.

The works in this room are listed below.

Works in this room

Drawings made in the 19th century, from every museum.

Section 1, north wall

  1. Dancers, by Edgar Degas, c. 1896
    DancersEdgar Degas, c. 1896Courtesy of the Cleveland Museum of Art
  2. The image features two men in military uniform engaging closely with each other. Both are shown from head to toe. The man on the left stands with his left leg forward, holding a rifle, and has his right arm around the shoulder of the other man. The man on the right has his right leg slightly bent, supporting his weight, and is holding a sword in his left hand. Each man has distinctive facial features. Both wear tall, elaborate military hats and detailed uniforms. The man on the left displays a strap over his shoulder, while the man on the right has intricate decorations on his jacket and trousers. In the background, there are a few more soldiers and part of a building to the left. The setting is monochromatic.
    Two GrenadiersVictor AdamCourtesy National Gallery of Art, Washington
  3. This painting shows a view looking out over a vast landscape. Most of the painting is circular, with a small part of the bottom bleeding out of the circle towards us. The top third of the circle shows a mountain range with a large purple peak in the distance. In front of the mountain is a faint rainbow. A body of water flows from in front of the mountain to the bottom of the painting, weaving in between shorter white peaks. Towards the bottom, the water appears to flow into small, layered pools of various bright colors including yellow, orange, red, pink, blue, and teal. The sky is a light blue-gray color. The background of the painting outside of the circle is plain paper.
    Minerva Terrace, YellowstoneThomas Moran, 1872Courtesy National Gallery of Art, Washington

Section 1, south wall

  1. The image shows a man's head and part of his neck in profile view. The man is looking to the left, showcasing his facial features. He has a prominent nose, cheekbones, dark hair with hints of gray at the sides, and a white beard under his chin. He is wearing a gray collar that is partially visible. The background is a plain, muted brown color. There are no objects or jewelry visible in the image.
    Profile of a Man with SidewhiskersUnrecorded German maker, c. 1850Courtesy National Gallery of Art, Washington
  2. THE VIRGIN WITH THE CHILD
    The Virgin with the ChildFortunato Duranti, 1820–1850Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.
    Pink RosesFidelia Bridges, 1875Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Souvenir of a Castle in Vosges, by Victor Hugo, 1857
    Souvenir of a Castle in VosgesVictor Hugo, 1857Courtesy of The Metropolitan Museum of Art
  2. Niagara Falls by Moonlight, by Frederic Edwin Church, probably 1856
    Niagara Falls by MoonlightFrederic Edwin Church, probably 1856Courtesy of the Cleveland Museum of Art
  3. STUDY OF FOLIAGE
    Study of foliageWilliam Trost Richards, October 25, 1862Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 2, north wall

  1. Willow trees at a brook (Weidenbach near Neuostra), by Emilie Mediz-Pelikan, 1895
    Willow trees at a brook (Weidenbach near Neuostra)Emilie Mediz-Pelikan, 1895Courtesy of The Metropolitan Museum of Art
  2. TWO STUDIES OF WOMEN STANDING BEHIND RAILING, LOOKING AT THE LAUNCHING OF DORIES, CULLERCOATS, ENGLAND
    Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, EnglandWinslow Homer, 1881Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. VIEW OF VENICE, ITALY
    View of Venice, ItalyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum

Section 3, north wall

  1. GEORGE JAMES DRUMMOND'S ROOM AT OXFORD, 1853
    George James Drummond's Room at Oxford, 1853George Pyne, 1853Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. View from the Battery toward the City, by Christoffer Wilhelm Eckersberg, 1836
    View from the Battery toward the CityChristoffer Wilhelm Eckersberg, 1836Courtesy of the Cleveland Museum of Art

Section 3, south wall

  1. The image shows a person lying down, positioned on their side, resting on a pillow. The individual appears to be asleep, with closed eyes, slightly parted lips, and a relaxed facial expression. The person has light-colored hair, partially covered by a white nightcap, and is dressed in white nightwear with a ruffled collar. They are covered by a white blanket and their hand is partially visible near the face, with fingers interlaced. The background features a wooden headboard or furniture piece.
    An Infant Asleep in His CribAdolph Menzel, 1848Courtesy National Gallery of Art, Washington
  2. STUDY FOR "DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS"
    Study for "Diana and Her Attendants among the Constellations"Francis Augustus Lathrop, ca. 1894Courtesy of Cooper Hewitt, Smithsonian Design Museum