Floor plan

Style galleriesDrawings of the 16th century

Drawings of the 16th century

Music-Making Angels, by Albrecht Dürer, 1521
The artwork features a person standing prominently in front of an architectural scene. The individual has one arm extended out to the side, pointing with a gloved hand. The other hand holds a staff with a snake wrapped around it. The person has a stern facial expression, a beard and mustache, and wears a large hat with colorful feathers. They are dressed in a colorful suit with vertical stripes in red, blue, and yellow, paired with a ruffled collar and cuffs. The person also has an oversized sword at their hip. In the background, there is a Renaissance-style cityscape with architectural elements, people, and horse-drawn carriages.
A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639
Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589
The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13
Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589

The works in this room are listed below.

Works in this room

Drawings made in the 16th century, from every museum.

Section 1, north wall

  1. Music-Making Angels, by Albrecht Dürer, 1521
    Music-Making AngelsAlbrecht Dürer, 1521Courtesy of The Metropolitan Museum of Art
  2. The artwork features a person standing prominently in front of an architectural scene. The individual has one arm extended out to the side, pointing with a gloved hand. The other hand holds a staff with a snake wrapped around it. The person has a stern facial expression, a beard and mustache, and wears a large hat with colorful feathers. They are dressed in a colorful suit with vertical stripes in red, blue, and yellow, paired with a ruffled collar and cuffs. The person also has an oversized sword at their hip. In the background, there is a Renaissance-style cityscape with architectural elements, people, and horse-drawn carriages.
    Giovanni Grosso of the Swiss Guards Standing before a View of RomeUnrecorded Swiss makerCourtesy National Gallery of Art, Washington
  3. A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, by Roelandt Savery, 1596–1639
    A Mill with a Fortified Bridge, a Rowing Boat in the ForegroundRoelandt Savery, 1596–1639Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Still Life with Flowers, a Snail and Insects, by Joris Hoefnagel, 1589
    Still Life with Flowers, a Snail and InsectsJoris Hoefnagel, 1589Courtesy of The Metropolitan Museum of Art
  2. The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13
    The Head of the Virgin in Three-Quarter View Facing RightLeonardo da Vinci, 1510–13Courtesy of The Metropolitan Museum of Art
  3. Ice skaters on the Amstel in Amsterdam, by Hans Bol, 1589
    Ice skaters on the Amstel in AmsterdamHans Bol, 1589Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. TWO GALLEYS AT SEA
    Two Galleys at SeaJan van der Straet, called Stradanus, ca. 1587 – 1590Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.
    A Flying AngelJacopo Palma il Giovane, 1580/1590Courtesy National Gallery of Art, Washington
  3. Jupiter and Juno: Study for the "Furti di Giove" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35
    Jupiter and Juno: Study for the "Furti di Giove" TapestriesPerino del Vaga (Pietro Buonaccorsi), ca. 1532–35Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. View of Heidelberg, by Jan Brueghel the Elder, ca. 1588–89
    View of HeidelbergJan Brueghel the Elder, ca. 1588–89Courtesy of The Metropolitan Museum of Art
  2. The image shows an elevated view looking down into a crater-like landscape with steep surrounding cliffs. The horizon is high in the image, obscured by rocky formations and rising plumes of smoke. The detailed drawing has a sketch-like quality with fine lines depicting the cliffs and swirling smoke. The color palette is monochromatic, using shades of brown and beige. Two figures and a horse stand on a sloped terrain, providing scale. The crater's basin is visible, with smoke plumes and rock formations in the distance, stretching towards the horizon.
    Forum Vulcani: The Hot Springs at PozzuoliJoris Hoefnagel, 1578Courtesy National Gallery of Art, Washington
  3. Farmhouse on the Slope of a Hill, by Fra Bartolommeo, c. 1508
    Farmhouse on the Slope of a HillFra Bartolommeo, c. 1508Courtesy of the Cleveland Museum of Art

Section 3, north wall

  1. Amya Petitioning Faustus for the Custody of Saint Mamas, by Jean Cousin the Elder, ca. 1543
    Amya Petitioning Faustus for the Custody of Saint MamasJean Cousin the Elder, ca. 1543Courtesy of The Metropolitan Museum of Art
  2. Bacchanal, by Nicolas Poussin, ca. 1635–36
    BacchanalNicolas Poussin, ca. 1635–36Courtesy of The Metropolitan Museum of Art

Section 3, south wall

  1. Arm of Eve, by Albrecht Dürer, 1507
    Arm of EveAlbrecht Dürer, 1507Courtesy of the Cleveland Museum of Art
  2. Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586
    Standing Officer Holding a Boar's SpearHendrick Goltzius, 1586Courtesy of the Cleveland Museum of Art