Floor plan

Style galleriesThe American Gilded Age

The American Gilded Age

The Stubble Field, by Henry Golden Dearth, c. 1909
The Old Road to the Sea, by William Merritt Chase, c. 1893
Diving Cormorant, by Otto H. Bacher, 1900
The Bridge at Grez [recto], by Childe Hassam, 1904
Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894
THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ
The Witch's Daughter, by Frederick Stuart Church, 1881

The works in this room are listed below.

Works in this room

Painting and design in the United States from the Civil War to 1910.

First room, north wall

  1. The Stubble Field, by Henry Golden Dearth, c. 1909
    The Stubble FieldHenry Golden Dearth, c. 1909Courtesy of the Cleveland Museum of Art
  2. The Old Road to the Sea, by William Merritt Chase, c. 1893
    The Old Road to the SeaWilliam Merritt Chase, c. 1893Courtesy of the Cleveland Museum of Art
  3. Diving Cormorant, by Otto H. Bacher, 1900
    Diving CormorantOtto H. Bacher, 1900Courtesy of the Cleveland Museum of Art

First room, south wall

  1. The Bridge at Grez [recto], by Childe Hassam, 1904
    The Bridge at Grez [recto]Childe Hassam, 1904Courtesy National Gallery of Art, Washington
  2. Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894
    Low Tide, Riverside Yacht ClubTheodore Robinson, 1894Courtesy of The Metropolitan Museum of Art
  3. THE OLD HOPKINSON HOUSE, BORDENTOWN, NJ
    The Old Hopkinson House, Bordentown, NJFrancis Hopkinson Smith, ca. 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. The Witch's Daughter, by Frederick Stuart Church, 1881
    The Witch's DaughterFrederick Stuart Church, 1881Courtesy of the Smithsonian American Art Museum

Second room, south wall

  1. STUDY FOR "DIANA AND HER ATTENDANTS AMONG THE CONSTELLATIONS"
    Study for "Diana and Her Attendants among the Constellations"Francis Augustus Lathrop, ca. 1894Courtesy of Cooper Hewitt, Smithsonian Design Museum
  2. This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown. They are slightly turned toward the right, looking downward at something they hold in their hands, and their head is covered with a cloth or cap. The background is textured with earthy tones, mostly tan with some patches of yellow ochre and gray.
    The ChaperoneThomas Eakins, c. 1908Courtesy National Gallery of Art, Washington
  3. DRAPERY STUDY
    Drapery StudyFrancis Augustus Lathrop, ca. 1895Courtesy of Cooper Hewitt, Smithsonian Design Museum
  4. The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908
    The Race Track (Death on a Pale Horse)Albert Pinkham Ryder, c. 1896–1908Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. William Merritt Chase
    Good FriendsWilliam Merritt Chase, (c. 1909)Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
  2. Edward Guthrie Kennedy, by William Merritt Chase, ca. 1895
    Edward Guthrie KennedyWilliam Merritt Chase, ca. 1895Courtesy of The Metropolitan Museum of Art
  3. VIEW OF VENICE, ITALY
    View of Venice, ItalyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum

Third room, north wall

  1. Pale watercolor drawing of young dancer in long sheer dress.
    Green and Blue: The DancerJames McNeill Whistler, c. 1893Courtesy of the Art Institute of Chicago
  2. BALCONY
    BalconyRobert Frederick Blum, 1880Courtesy of Cooper Hewitt, Smithsonian Design Museum