Floor plan

Time and placeIndia

India

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
A work made of opaque watercolor on paper.
The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
"A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
Maharana Sarup Singh Inspects a Prize Stallion, by Tara, 1845–46
The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night, by Lalu, c. 1560
A work made of opaque watercolor and gold on paper.
A work made of opaque watercolor on paper.

The works in this room are listed below.

Works in this room

Works made in India, from every century in the collection.

Section 1, north wall

  1. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  2. A work made of opaque watercolor on paper.
    The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat PuranaUnrecorded Indian maker, c. 1520–1530Courtesy of the Art Institute of Chicago
  3. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
  4. "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, by Amir Khusrau Dihlavi, 1597–98
    "A Muslim Pilgrim Learns a Lesson in Piety from a Brahman", Folio from a Khamsa (Quintet) of Amir Khusrau DihlaviAmir Khusrau Dihlavi, 1597–98Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Maharana Sarup Singh Inspects a Prize Stallion, by Tara, 1845–46
    Maharana Sarup Singh Inspects a Prize StallionTara, 1845–46Courtesy of The Metropolitan Museum of Art
  2. The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night, by Lalu, c. 1560
    The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth NightLalu, c. 1560Courtesy of the Cleveland Museum of Art
  3. A work made of opaque watercolor and gold on paper.
    European Banquet Scene (or The Marriage Feast at Cana?)Mughal, Mughal period, c. 1600Courtesy of the Art Institute of Chicago
  4. A work made of opaque watercolor on paper.
    Royal Women Feeding FishUnrecorded Indian maker, c. 1740Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of opaque watercolor and gold on paper.
    Ruler Entertained by Dancers in a Paradise GardenUnrecorded Indian maker, Late 18th centuryCourtesy of the Art Institute of Chicago
  2. Maharana Sangram Singh Riding a Prize Stallion, by Stipple Master, ca. 1712
    Maharana Sangram Singh Riding a Prize StallionStipple Master, ca. 1712Courtesy of The Metropolitan Museum of Art
  3. Green Parrot, c. 1820
    Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art
  4. Great Indian Fruit Bat, by Bhawani Das, ca. 1777–82
    Great Indian Fruit BatBhawani Das, ca. 1777–82Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art
  2. Krishna in the Form of Shri Nathji, ca. 1840
    Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art
  3. Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
    Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art
  4. "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album, by Chitarman, recto: dated 1627–28; verso: ca. 1530–50
    "Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan AlbumChitarman, recto: dated 1627–28; verso: ca. 1530–50Courtesy of The Metropolitan Museum of Art