Floor plan

Time and placeThe 19th century

The 19th century

The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835
A work made of oil on canvas.
Still-life painting, fish, open oysters, eel, lemon on tablecloth.
Landscape, by J. Francis Murphy, ca. 1880-1890
The Lovers, by James Tissot, 1872
Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, by Katsushika Hokusai, 1835–36

The works in this room are listed below.

Works in this room

Works made in the 19th century, anywhere in the world.

Section 1, north wall

  1. The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835
    The Burning of the Houses of Lords and Commons, 16 October 1834Joseph Mallord William Turner, 1835Courtesy of the Cleveland Museum of Art
  2. A work made of oil on canvas.
    Sur la route de NicePaul Huet, c. 1844Courtesy of the Art Institute of Chicago
  3. Still-life painting, fish, open oysters, eel, lemon on tablecloth.
    Fish (Still Life)Édouard Manet, 1864Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Landscape, by J. Francis Murphy, ca. 1880-1890
    LandscapeJ. Francis Murphy, ca. 1880-1890Courtesy of the Smithsonian American Art Museum
  2. The Lovers, by James Tissot, 1872
    The LoversJames Tissot, 1872Courtesy of the Cleveland Museum of Art
  3. Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, by Katsushika Hokusai, 1835–36
    Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai, 1835–36Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Sketch of Ibaraki-dōji, by Shibata Zeshin, c. 1840
    Sketch of Ibaraki-dōjiShibata Zeshin, c. 1840Courtesy of the Cleveland Museum of Art
  2. Mountains in Colorado, by John Frederick Kensett, 1870
    Mountains in ColoradoJohn Frederick Kensett, 1870Courtesy of the Smithsonian American Art Museum
  3. Painting Nine from Album of Paintings by Haizan, by Yoshitsugu Haizan, late 1800s–early 1900s
    Painting Nine from Album of Paintings by HaizanYoshitsugu Haizan, late 1800s–early 1900sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Symbolic Head, by Odilon Redon, c. 1890
    Symbolic HeadOdilon Redon, c. 1890Courtesy of the Cleveland Museum of Art
  2. Large English country landscape painting, farmers with horses, green trees.
    Stoke-by-NaylandJohn Constable, 1836Courtesy of the Art Institute of Chicago
  3. Standing Saint, late 19th - early 20th century
    Standing SaintUnrecorded Italian maker, late 19th - early 20th centuryCourtesy of the Cleveland Museum of Art
  4. A work made of soft ground etching from two plates, with roulette, on paper.
    Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et FlamandsChristian Josi, 1826Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.
    Horseman (recto); Horse and Rider (verso)Auguste Rodin, 1889Courtesy of the Art Institute of Chicago
  2. Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.
    Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago
  3. Queen Victoria, by Thomas Sully, 1838
    Queen VictoriaThomas Sully, 1838Courtesy of The Metropolitan Museum of Art