Floor plan

Time and place18th-century United States

18th-century United States

Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution
Boy in Blue Coat, c. 1730
Mary Walton Morris, by John Wollaston, 1749/1752
Mrs. John Winthrop, by John Singleton Copley, 1773
Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
Daniel Crommelin Verplanck, by John Singleton Copley, 1771
A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”

The works in this room are listed below.

Works in this room

Works made in the United States in the 18th century.

Section 1, north wall

  1. Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution
    Richard Henry LeeCharles Willson Peale, c. 1795-1805Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. Boy in Blue Coat, c. 1730
    Boy in Blue CoatUnrecorded American maker, c. 1730Courtesy National Gallery of Art, Washington
  3. Mary Walton Morris, by John Wollaston, 1749/1752
    Mary Walton MorrisJohn Wollaston, 1749/1752Courtesy National Gallery of Art, Washington
  4. Mrs. John Winthrop, by John Singleton Copley, 1773
    Mrs. John WinthropJohn Singleton Copley, 1773Courtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art
  2. Daniel Crommelin Verplanck, by John Singleton Copley, 1771
    Daniel Crommelin VerplanckJohn Singleton Copley, 1771Courtesy of The Metropolitan Museum of Art
  3. A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”
    Eleazer TyngJohn Singleton Copley, 1772Courtesy National Gallery of Art, Washington

Section 2, south wall

  1. Jonathan Bentham, c. 1725
    Jonathan BenthamUnrecorded American maker, c. 1725Courtesy National Gallery of Art, Washington
  2. Mrs. Jerathmael Bowers, by John Singleton Copley, ca. 1763
    Mrs. Jerathmael BowersJohn Singleton Copley, ca. 1763Courtesy of The Metropolitan Museum of Art
  3. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington

Section 2, north wall

  1. George Washington, by Charles Willson Peale, ca. 1779–81
    George WashingtonCharles Willson Peale, ca. 1779–81Courtesy of The Metropolitan Museum of Art
  2. The image displays a painted portrait of an individual, showing the upper half of the body prominently. The person is positioned facing slightly toward the viewer's left with their gaze directed forward. They have defined facial features with a smooth complexion and medium-length, curly brown hair that frames their face. The attire consists of an elegant coat with distinct buttons and a high-collared shirt underneath. There is a subtle shine and texture to the clothing. There are no visible jewelry pieces, and the person is not holding any objects. The background is a dark, neutral color, contrasting with the lighter tones of the person's skin and clothing.
    A Gentleman of the Morris FamilyJohn Wollaston, 1749/1752Courtesy National Gallery of Art, Washington
  3. George Washington, by Charles Peale Polk, ca. 1790
    George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Elijah Boardman, by Ralph Earl, 1789
    Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art
  2. Captain John Gell, by Gilbert Stuart, 1785
    Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art
  3. Elizabeth Shewell West and Her Son, Raphael, by Benjamin West, c. 1770
    Elizabeth Shewell West and Her Son, RaphaelBenjamin West, c. 1770Courtesy of the Cleveland Museum of Art