Floor plan

Time and place18th-century United States

18th-century United States

Elijah Boardman, by Ralph Earl, 1789
Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
Artist: Charles Willson Peale, Sitter: Charles Willson Peale, Current owner: National Portrait Gallery, Smithsonian Institution
James Alexander Ross Cuthbert, by Edward Greene Malbone, 1799
Elizabeth Shewell West and Her Son, Raphael, by Benjamin West, c. 1770
Mrs. Jerathmael Bowers, by John Singleton Copley, ca. 1763

The works in this room are listed below.

Works in this room

Works made in the United States in the 18th century.

First room, north wall

  1. Elijah Boardman, by Ralph Earl, 1789
    Elijah BoardmanRalph Earl, 1789Courtesy of The Metropolitan Museum of Art
  2. Washington Reviewing the Western Army at Fort Cumberland, Maryland, by Frederick Kemmelmeyer, after 1795
    Washington Reviewing the Western Army at Fort Cumberland, MarylandFrederick Kemmelmeyer, after 1795Courtesy of The Metropolitan Museum of Art
  3. Artist: Charles Willson Peale, Sitter: Charles Willson Peale, Current owner: National Portrait Gallery, Smithsonian Institution
    Charles Willson Peale Self-PortraitCharles Willson Peale, c. 1791Courtesy of the National Portrait Gallery, Smithsonian Institution

First room, south wall

  1. James Alexander Ross Cuthbert, by Edward Greene Malbone, 1799
    James Alexander Ross CuthbertEdward Greene Malbone, 1799Courtesy of the Cleveland Museum of Art
  2. Elizabeth Shewell West and Her Son, Raphael, by Benjamin West, c. 1770
    Elizabeth Shewell West and Her Son, RaphaelBenjamin West, c. 1770Courtesy of the Cleveland Museum of Art
  3. Mrs. Jerathmael Bowers, by John Singleton Copley, ca. 1763
    Mrs. Jerathmael BowersJohn Singleton Copley, ca. 1763Courtesy of The Metropolitan Museum of Art

Second room, south wall

  1. Mrs. John Winthrop, by John Singleton Copley, 1773
    Mrs. John WinthropJohn Singleton Copley, 1773Courtesy of The Metropolitan Museum of Art
  2. Captain John Gell, by Gilbert Stuart, 1785
    Captain John GellGilbert Stuart, 1785Courtesy of The Metropolitan Museum of Art
  3. George Washington, by Gilbert Stuart, begun 1795
    George WashingtonGilbert Stuart, begun 1795Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Mary Walton Morris, by John Wollaston, 1749/1752
    Mary Walton MorrisJohn Wollaston, 1749/1752Courtesy National Gallery of Art, Washington
  2. A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”
    Eleazer TyngJohn Singleton Copley, 1772Courtesy National Gallery of Art, Washington
  3. Jonathan Bentham, c. 1725
    Jonathan BenthamUnrecorded American maker, c. 1725Courtesy National Gallery of Art, Washington

Third room, north wall

  1. George Washington, by Charles Peale Polk, ca. 1790
    George WashingtonCharles Peale Polk, ca. 1790Courtesy of The Metropolitan Museum of Art
  2. Boy in Blue Coat, c. 1730
    Boy in Blue CoatUnrecorded American maker, c. 1730Courtesy National Gallery of Art, Washington

Third room, south wall

  1. Artist: Charles Willson Peale, Sitter: Richard Henry Lee, Current owner: National Portrait Gallery, Smithsonian Institution
    Richard Henry LeeCharles Willson Peale, c. 1795-1805Courtesy of the National Portrait Gallery, Smithsonian Institution
  2. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington