Floor plan

West wing: Old MastersThe Dutch Golden Age

The Dutch Golden Age

A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
A work made of engraving in black on cream laid paper.
Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
The Mocking of Ceres, by Hendrik Goudt, 1610
A work made of engraving on three joined sheets of ivory laid paper.
The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
A work made of engraving on three joined sheets of laid paper.
A work made of oil on copper.

The works in this room are listed below.

Works in this room

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

North wall

  1. A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.
    Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and UtrechtHendric Avercamp, 1620/33Courtesy of the Art Institute of Chicago
  2. A work made of engraving in black on cream laid paper.
    Christ Raises the Dead Son of the Widow of NainJacob Matham, 1593/94Courtesy of the Art Institute of Chicago
  3. Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650
    Travelers in Hilly CountrysideAelbert Cuyp, c. 1650Courtesy of the Cleveland Museum of Art
  4. The Mocking of Ceres, by Hendrik Goudt, 1610
    The Mocking of CeresHendrik Goudt, 1610Courtesy of the Cleveland Museum of Art

East wall

  1. A work made of engraving on three joined sheets of ivory laid paper.
    Christ at the Feast of SimonJan Saenredam, c. 1590-1600Courtesy of the Art Institute of Chicago
  2. The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65
    The Meeting of Christ with Martha and Mary after the Death of LazarusRembrandt van Rijn, c. 1662–65Courtesy of the Cleveland Museum of Art
  3. A work made of engraving on three joined sheets of laid paper.
    The Last SupperJan Harmensz. Muller, 1594Courtesy of the Art Institute of Chicago
  4. A work made of oil on copper.
    David Slaying GoliathDutch, 1600–50Courtesy of the Art Institute of Chicago

West wall

  1. A work made of engraving in black on cream laid paper.
    The Apollo Belvedere, plate 3 from Three Famous Antique SculpturesHendrick Goltzius, c. 1592, printed c. 1617Courtesy of the Art Institute of Chicago
  2. English Warship Firing a Salute, 1690
    English Warship Firing a SaluteUnrecorded Dutch maker, 1690Courtesy of the Cleveland Museum of Art
  3. Rush Gatherers, by Nicolaes Berchem, 1657
    Rush GatherersNicolaes Berchem, 1657Courtesy of the Cleveland Museum of Art
  4. A work made of engraving on two joined sheets of ivory laid paper.
    Fortune Distributing her GiftsJan Harmensz. Muller, 1590Courtesy of the Art Institute of Chicago

South wall

  1. A work made of engraving on three joined sheets of ivory laid paper.
    The Wedding of Cupid and PsycheHendrick Goltzius, 1587Courtesy of the Art Institute of Chicago
  2. A work made of oil on panel.
    Trompe-l'Oeil Still Life with a Flower Garland and a CurtainAdriaen van der Spelt, 1658Courtesy of the Art Institute of Chicago
  3. Interior of a Church, by Emanuel de Witte, c. 1680
    Interior of a ChurchEmanuel de Witte, c. 1680Courtesy of the Cleveland Museum of Art
  4. A work made of oil on panel.
    The Judgement of ZaleucusOtto van Veen, c. 1605Courtesy of the Art Institute of Chicago