Floor plan

Artist galleriesUnrecorded makers

Unrecorded makers

A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.
This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
Portrait of a Couple, c. 1580–88
Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra, c. 900
Alvan Clark, 1870s

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name.

First room, north wall

  1. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  2. The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.
    Portrait of a Man in a Military UniformUnrecorded French maker, 18th centuryCourtesy National Gallery of Art, Washington
  3. This painting shows a man standing upright, his body slightly turned to the right. He has pale skin and curled white hair under a large black hat, and he wears a long brown jacket over a yellow vest with a white ruffled neck and a wide blue-and-white striped sash over his torso. His pants are black, and he wears tall black boots with brown tops. His hands are covered by yellow gloves, and he is holding a tall, thin rifle on the left, its bottom on the ground. Next to him on the right is a white dog with brown spots and large brown ears. The dog is sitting, looking up at the man. The background features an outdoor setting, with a landscape of hazy hills in shades of pale green and blue below a white and gray sky. There is a tall, dark green tree behind the man, and the ground he stands on is brown.
    Charles IV of Spain as HuntsmanUnrecorded Spanish maker, c. 1799/1800Courtesy National Gallery of Art, Washington

First room, south wall

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. Shakyamuni Triad: Buddha Attended by Manjushri and Samantabhadra, c. 900
    Shakyamuni Triad: Buddha Attended by Manjushri and SamantabhadraUnrecorded Chinese maker, c. 900Courtesy of the Cleveland Museum of Art
  3. Alvan Clark, 1870s
    Alvan ClarkUnrecorded American maker, 1870sCourtesy of the Cleveland Museum of Art

Second room, south wall

  1. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  2. Samuel Warren Holland, Aged Two Years, 19th century
    Samuel Warren Holland, Aged Two YearsUnrecorded maker, 19th centuryCourtesy of the Smithsonian American Art Museum

Second room, north wall

  1. Our Lady of Valvanera, ca. 1770–80
    Our Lady of ValvaneraUnrecorded Latin American maker, ca. 1770–80Courtesy of The Metropolitan Museum of Art
  2. We look across and down at a channel of water separating two landmasses labeled "Boston" and "Charles Town" in this horizontal landscape painting. Four three-masted ships are in the aquamarine-blue harbor between us and the land. Three of them have their sails unfurled and smoke billows from the broad, starboard side of each. Tidy rows of brown houses line the area of Boston. A puff of white smoke rises from the farthest point. Two arrow-shaped missiles, perhaps projectiles on fire, arc toward Charles Town, where billowing gray plumes of smoke rise from vivid orange fire on the far side of the landmass. Rowboats bring soldiers to the shore of Charles Town, close to where hundreds of soldiers line up and fire at each other. Much of the rest of Charles Town is a hill leading to sheer cliffs to our right. Tan and gray-colored smoke mixes among bright white clouds against a pale blue sky on the top half of the painting.
    Attack on Bunker's Hill, with the Burning of Charles TownUnrecorded American maker, 1783 or afterCourtesy National Gallery of Art, Washington

Third room, north wall

  1. The Advent of a Demon; Scene from a Performance in an old Kabuki Theatre
    The Advent of a Demon; Scene from a Performance in an old Kabuki TheatreUnrecorded Japanese makerCourtesy of The Metropolitan Museum of Art
  2. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art
  3. A work made of ink and color on hemp cloth.
    Korean Buddhist PaintingUnrecorded Korean maker, late 19th-early 20th centuryCourtesy of the Art Institute of Chicago
  4. This is a drawing of three decorative bonnets. The drawing features three different hat designs, each embellished with lace, ribbon, and bow details. The upper left bonnet is adorned with pink hues and intricate lace, displaying a floral-like bow. The top right bonnet showcases a turquoise ribbon and bow, surrounded by soft lace. The lower bonnet is in grayscale, with shadowing for dimension, featuring a checkered ribbon. Each hat is detailed with line work and shading, conveying elegance.
    CapsUnrecorded American maker, 1935/1942Courtesy National Gallery of Art, Washington

Third room, south wall

  1. Three Figures, from Cave 224, 4th-6th century
    Three Figures, from Cave 224Unrecorded maker, 4th-6th centuryCourtesy of the Smithsonian American Art Museum
  2. Artist: Unidentified Artist, Sitter: Unidentified Woman, Current owner: National Portrait Gallery, Smithsonian Institution
    Unidentified Black Woman with TurbanUnrecorded makerCourtesy of the National Portrait Gallery, Smithsonian Institution