Floor plan

Artist galleriesUnrecorded makers of India

Unrecorded makers of India

A work made of opaque watercolor on paper.
A work made of opaque watercolor and gold on paper.
Green Parrot, c. 1820
The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
A work made of opaque watercolor and gold on paper.
Mahadevi, the Great Goddess, ca. 1725
A Lady Playing the Tanpura, ca. 1735
The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name, made in India.

First room, north wall

  1. A work made of opaque watercolor on paper.
    The Infant Krishna Spirited Away by Vasudev, from a copy of the Dispersed Bhagavat PuranaUnrecorded Indian maker, c. 1520–1530Courtesy of the Art Institute of Chicago
  2. A work made of opaque watercolor and gold on paper.
    Holi Festival in a Walled Garden with CelebrantsUnrecorded Indian maker, c. 1764Courtesy of the Art Institute of Chicago
  3. Green Parrot, c. 1820
    Green ParrotUnrecorded Indian maker, c. 1820Courtesy of the Cleveland Museum of Art
  4. The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
    The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)Unrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art

First room, south wall

  1. A work made of opaque watercolor and gold on paper.
    Ruler Entertained by Dancers in a Paradise GardenUnrecorded Indian maker, Late 18th centuryCourtesy of the Art Institute of Chicago
  2. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art
  3. A Lady Playing the Tanpura, ca. 1735
    A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
  4. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art

Second room, south wall

  1. Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25
    Hanuman spies Sita in the Ashoka Grove, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700–25Courtesy of the Cleveland Museum of Art
  2. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  3. The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560
    The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  4. Maharaja Bijay Singh in His Harem, ca. 1770
    Maharaja Bijay Singh in His HaremUnrecorded Indian maker, ca. 1770Courtesy of The Metropolitan Museum of Art

Second room, north wall

  1. Krishna Lifting Mount Govardhan, c. 1780–90
    Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art
  2. Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
    Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art
  3. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  4. Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560
    Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art