Floor plan

Artist galleriesUnrecorded makers of India

Unrecorded makers of India

Toilette of Radha, c. 1810–20
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), 1670–80
Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
Mahadevi, the Great Goddess, ca. 1725
Krishna Lifting Mount Govardhan, c. 1780–90
A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
A work made of opaque watercolor and gold on paper.

The works in this room are listed below.

Works in this room

Works whose makers the museums don't name, made in India.

First room, north wall

  1. Toilette of Radha, c. 1810–20
    Toilette of RadhaUnrecorded Indian maker, c. 1810–20Courtesy of the Cleveland Museum of Art
  2. Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), 1670–80
    Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)Unrecorded Indian maker, 1670–80Courtesy of the Cleveland Museum of Art
  3. Battle between monkeys and demons, from the “Shangri” Ramayana, c. 1700
    Battle between monkeys and demons, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700Courtesy of the Cleveland Museum of Art
  4. Mahadevi, the Great Goddess, ca. 1725
    Mahadevi, the Great GoddessUnrecorded Indian maker, ca. 1725Courtesy of The Metropolitan Museum of Art

First room, south wall

  1. Krishna Lifting Mount Govardhan, c. 1780–90
    Krishna Lifting Mount GovardhanUnrecorded Indian maker, c. 1780–90Courtesy of the Cleveland Museum of Art
  2. A work made of watercolor on paper watermarked j. whatman with pencil, pen, ink and gold.
    I'timad-ud-Daula's Tomb at AgraUnrecorded Indian maker, c. 1820Courtesy of the Art Institute of Chicago
  3. The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4
    The Annunciation (folio 15 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnrecorded Indian maker, 1602–4Courtesy of the Cleveland Museum of Art
  4. A work made of opaque watercolor and gold on paper.
    Holi Festival in a Walled Garden with CelebrantsUnrecorded Indian maker, c. 1764Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Celebrations of Krishna's Birth, from a Bhagavata Purana, c. 1725–30
    Celebrations of Krishna's Birth, from a Bhagavata PuranaUnrecorded Indian maker, c. 1725–30Courtesy of the Cleveland Museum of Art
  2. A work made of opaque watercolor and gold on paper.
    Ruler Entertained by Dancers in a Paradise GardenUnrecorded Indian maker, Late 18th centuryCourtesy of the Art Institute of Chicago
  3. Krishna in the Form of Shri Nathji, ca. 1840
    Krishna in the Form of Shri NathjiUnrecorded Indian maker, ca. 1840Courtesy of The Metropolitan Museum of Art
  4. Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25
    Hanuman spies Sita in the Ashoka Grove, from the “Shangri” RamayanaUnrecorded Indian maker, c. 1700–25Courtesy of the Cleveland Museum of Art

Second room, north wall

  1. A Lady Playing the Tanpura, ca. 1735
    A Lady Playing the TanpuraUnrecorded Indian maker, ca. 1735Courtesy of The Metropolitan Museum of Art
  2. A work made of opaque watercolor on paper.
    Royal Women Feeding FishUnrecorded Indian maker, c. 1740Courtesy of the Art Institute of Chicago
  3. Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night, c. 1560
    Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second NightUnrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art
  4. The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot), c. 1560
    The parrot addresses Khujasta at the beginning of the thirty-sixth night, from a Tuti-nama (Tales of a Parrot)Unrecorded Indian maker, c. 1560Courtesy of the Cleveland Museum of Art