Floor plan

Artist galleriesLilly Martin Spencer's contemporaries

Lilly Martin Spencer's contemporaries

We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869
Young Husband: First Marketing, by Lilly Martin Spencer, 1854
Oil painting
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836

The works in this room are listed below.

Works in this room

A few works by Lilly Martin Spencer, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

Section 1, north wall

  1. We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869
    We Both Must Fade (Mrs. Fithian)Lilly Martin Spencer, 1869Courtesy of the Smithsonian American Art Museum
  2. Young Husband: First Marketing, by Lilly Martin Spencer, 1854
    Young Husband: First MarketingLilly Martin Spencer, 1854Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. Oil painting
    Harmony in Green and Rose: The Music RoomJames McNeill Whistler, 1860-1861Courtesy of the National Museum of Asian Art, Smithsonian Institution
  2. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, by Thomas Cole, 1836
    View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The OxbowThomas Cole, 1836Courtesy of The Metropolitan Museum of Art

Their contemporaries, second

  1. Spring Blossoms, Montclair, New Jersey, by George Inness, ca. 1891
    Spring Blossoms, Montclair, New JerseyGeorge Inness, ca. 1891Courtesy of The Metropolitan Museum of Art
  2. AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE
    American Plains with Mountain Range in the DistanceThomas Moran, before 1872Courtesy of Cooper Hewitt, Smithsonian Design Museum
  3. The Power of Music, by William Sidney Mount, 1847
    The Power of MusicWilliam Sidney Mount, 1847Courtesy of the Cleveland Museum of Art
  4. A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.
    La Belle JardinièreJames McNeill Whistler, 1894Courtesy of the Art Institute of Chicago