Floor plan

Artist galleriesJames Tissot's contemporaries

James Tissot's contemporaries

The Large Tree, by Paul Gauguin, 1891
The Lovers, by James Tissot, 1872
The image shows two women walking arm in arm, both in traditional attire. One woman is facing away with a slight profile, while the other is seen from the side. Their faces are stylized and simplistic with covered hair. They wear long dresses with aprons and collars, and one has a striped apron. Haystacks and greenery surround them. Faint figures are in the background, as well as a spire-like structure. A dog is seen near the haystack, with simple lines suggesting a landscape.
This image shows a rural landscape with a pond in the foreground where cattle are being herded by a person on horseback. There are low buildings with smoking chimneys in the middle ground. Trees on the horizon separate the land from the sky, which is filled with clouds. The painting is detailed with a consistent brushwork, capturing foliage and buildings. The color palette is primarily sepia, giving a vintage and serene feel to the scene.
The Kitchen of the Rôtisserie des Deux Paons, by Adolphe Monticelli, c. 1875–1881
A work made of transfer lithograph in black on gray china paper.

The works in this room are listed below.

Works in this room

A few works by James Tissot, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

First room, north wall

  1. The Large Tree, by Paul Gauguin, 1891
    The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
  2. The Lovers, by James Tissot, 1872
    The LoversJames Tissot, 1872Courtesy of the Cleveland Museum of Art
  3. The image shows two women walking arm in arm, both in traditional attire. One woman is facing away with a slight profile, while the other is seen from the side. Their faces are stylized and simplistic with covered hair. They wear long dresses with aprons and collars, and one has a striped apron. Haystacks and greenery surround them. Faint figures are in the background, as well as a spire-like structure. A dog is seen near the haystack, with simple lines suggesting a landscape.
    Pleasures of Brittany (Joies de Bretagne)Paul Gauguin, 1889Courtesy National Gallery of Art, Washington

First room, south wall

  1. This image shows a rural landscape with a pond in the foreground where cattle are being herded by a person on horseback. There are low buildings with smoking chimneys in the middle ground. Trees on the horizon separate the land from the sky, which is filled with clouds. The painting is detailed with a consistent brushwork, capturing foliage and buildings. The color palette is primarily sepia, giving a vintage and serene feel to the scene.
    View in Normandy (Vue prise en Normandie)Jules Dupré, 1835Courtesy National Gallery of Art, Washington
  2. The Kitchen of the Rôtisserie des Deux Paons, by Adolphe Monticelli, c. 1875–1881
    The Kitchen of the Rôtisserie des Deux PaonsAdolphe Monticelli, c. 1875–1881Courtesy of the Cleveland Museum of Art
  3. A work made of transfer lithograph in black on gray china paper.
    At the window ("Open here I flung the shutter..."), from The Raven (Le Corbeau)Édouard Manet, 1875Courtesy of the Art Institute of Chicago

Second room, south wall

  1. Landscape, by Edgar Degas, 1892
    LandscapeEdgar Degas, 1892Courtesy of The Metropolitan Museum of Art
  2. A work made of oil on panel.
    Venice from the Riva looking toward the Piazzale San MarcoFélix Ziem, c. 1890Courtesy of the Art Institute of Chicago