Floor plan

Artist galleriesAntonio da Correggio's contemporaries

Antonio da Correggio's contemporaries

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.
Portrait of a Young Man, by Dosso Dossi, c. 1530
The Musicians, by Caravaggio, 1597
Portrait of a Couple, c. 1580–88
Virgin and Child with Saints, c. 1510
The Nativity, by Giorgio Ghisi, 1553

The works in this room are listed below.

Works in this room

A few works by Antonio da Correggio, then their contemporaries: makers of the same nationality born within 25 years of them, then works from the same century and place.

With their contemporaries

  1. Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.
    Virgin and Child with the Young Saint John the BaptistAntonio da Correggio, c. 1515Courtesy of the Art Institute of Chicago
  2. Portrait of a Young Man, by Dosso Dossi, c. 1530
    Portrait of a Young ManDosso Dossi, c. 1530Courtesy of the Cleveland Museum of Art
  3. The Musicians, by Caravaggio, 1597
    The MusiciansCaravaggio, 1597Courtesy of The Metropolitan Museum of Art

Their contemporaries

  1. Portrait of a Couple, c. 1580–88
    Portrait of a CoupleUnrecorded Italian maker, c. 1580–88Courtesy of the Cleveland Museum of Art
  2. Virgin and Child with Saints, c. 1510
    Virgin and Child with SaintsUnrecorded Italian maker, c. 1510Courtesy of the Cleveland Museum of Art
  3. The Nativity, by Giorgio Ghisi, 1553
    The NativityGiorgio Ghisi, 1553Courtesy of the Cleveland Museum of Art

Their contemporaries, second

  1. Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), by Michelangelo Buonarroti, ca. 1510–11
    Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarroti, ca. 1510–11Courtesy of The Metropolitan Museum of Art
  2. Portrait of a Woman as Saint Catherine, by Pier Francesco Foschi, c. 1560
    Portrait of a Woman as Saint CatherinePier Francesco Foschi, c. 1560Courtesy of the Cleveland Museum of Art