The Floating World





Works in this room
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

A Girl Writing a LetterSuzuki Harunobu, 18th centuryCourtesy of The Metropolitan Museum of Art 
Anekawa Daisuke as Ayame-no-maeTorii Kiyomitsu, 1760Courtesy of the Cleveland Museum of Art 
Kanagawa, Inland Sea: Top of the StreetUtagawa Hiroshige, 1797–1858Courtesy of the Cleveland Museum of Art
Section 1, south wall

Eight Modern Views of Famous Places in Tokyo of Great Japan (Dai Nippon Tokyo kaika meisho hakkei no zu)Utagawa Kunisada II (Kunimasa III, Toyokuni IV), 1875Courtesy of the Art Institute of Chicago 
The actor Osagawa Tsuneyo II as Osan, Ippei’s elder sisterTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
Section 2, south wall

Sugatano of Sugata Ebisuya in the Morning, Hour of the Rabbit, from the series The Twelve Hours in the Pleasure QuartersKikukawa Eizan, 1812Courtesy of the Cleveland Museum of Art 
A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago 
The GossipsSuzuki Harunobu, ca. 1767Courtesy of The Metropolitan Museum of Art
Section 2, north wall

Grasshopper and IrisKatsushika Hokusai, late 1820sCourtesy of The Metropolitan Museum of Art 
Fireworks at Ryōgoku (Ryōgoku hanabi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige, 1858Courtesy of the Art Institute of Chicago 
PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago
Section 3, north wall

The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art 
Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art 
Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art
Section 3, south wall

Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art 
Flower ArrangingKitao Shigemasa, c. 1769Courtesy of the Art Institute of Chicago