Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Matsumoto Koshiro IV as the Fish Peddler Gorobei, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
A work made of color woodblock print; oban.
A work made of color woodblock print.
Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
A work made of hand-colored woodblock print; toku-oban, urushi-e.
Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Matsumoto Koshiro IV as the Fish Peddler Gorobei, by Tōshūsai Sharaku, Probably late 1880s or early 1890s
    Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Osumi, a Tayu of the Tsuchiya in the Shinmachi Quarter in OsakaEishosai Choki, c. 1796/97Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print.
    Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo", by Utagawa Hiroshige, 1856
    Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"Utagawa Hiroshige, 1856Courtesy of The Metropolitan Museum of Art
  2. A work made of hand-colored woodblock print; toku-oban, urushi-e.
    Courtesan Reading a LetterIshikawa Toyonobu, c. 1745Courtesy of the Art Institute of Chicago
  3. Incense Boxes with a Wrapping Cloth, by Kubo Shunman, 1808
    Incense Boxes with a Wrapping ClothKubo Shunman, 1808Courtesy of The Metropolitan Museum of Art

Section 2, south wall

  1. A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, 1830/33Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; oban.
    The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago
  3. Cherry Shell, from the series Genroku Poetry Shell Games, by Katsushika Hokusai, probably 1821
    Cherry Shell, from the series Genroku Poetry Shell GamesKatsushika Hokusai, probably 1821Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. A work made of color woodblock print; ōban.
    Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"Katsushika Hokusai, About 1833Courtesy of the Art Institute of Chicago
  2. A work made of hand-colored woodblock print; vertical oban diptych, sumizuri-e.
    The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu IIshikawa Toyonobu, c. 1740sCourtesy of the Art Institute of Chicago
  3. A work made of woodblock print; sumizuri-e, kakemono-e.
    Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. Cherry Blossoms in the Wind, by Utagawa Toyokuni, late 1790s
    Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. The Doll Festival, Third Day of the Third Month, by Kubo Shunman, 19th century
    The Doll Festival, Third Day of the Third MonthKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Picture of Men and Women from Many Countries (Bankoku danjo jinbutsu zue)Utagawa Yoshiiku, 1861Courtesy of the Art Institute of Chicago