Floor plan

Style galleriesUkiyo-e

Ukiyo-e

The Shika Teahouse, by Utagawa Toyokuni, early 1790s
A work made of color woodblock prints; oban triptych.
A work made of color woodblock print; oban.
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), by Suzuki Harunobu, ca. 1766
Women Beside a Stream Chasing Fireflies, by Chôbunsai Eishi, c. 1796–97

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock prints; oban triptych.
    A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock print; oban.
    Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1857Courtesy of the Art Institute of Chicago
  2. Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), by Suzuki Harunobu, ca. 1766
    Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)Suzuki Harunobu, ca. 1766Courtesy of The Metropolitan Museum of Art
  3. Women Beside a Stream Chasing Fireflies, by Chôbunsai Eishi, c. 1796–97
    Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art

Section 2, south wall

  1. Fudō Myōō Threatening a Novice, by Tsukioka Yoshitoshi, 1885
    Fudō Myōō Threatening a NoviceTsukioka Yoshitoshi, 1885Courtesy of The Metropolitan Museum of Art
  2. The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince Korehito, by Tōshūsai Sharaku, 1794–75
    The Actor Segawa Tomisaburo II as the Otomos' Maid Wakakusa, Actually Prince KorehitoTōshūsai Sharaku, 1794–75Courtesy of The Metropolitan Museum of Art
  3. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  2. Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikō, by Yōshū (Hashimoto) Chikanobu, 1898
    Scene of Foxfire (Kitsunebi) from the Play Honchō nijūshikōYōshū (Hashimoto) Chikanobu, 1898Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chuban.
    The Poetess Ono no KomachiSuzuki Harunobu, Edo period (1615–1868), 1767/68Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro, by Okumura Masanobu, 1740
    Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone GoroOkumura Masanobu, 1740Courtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; long surimono.
    Plants, Porcelain Bowl, and Glass GobletKatsukawa Shunshō, c. 1789Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. A work made of color woodblock print; chuban.
    Viewing the MoonSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  2. A work made of hand-colored woodblock print; tan-e, vertical o-oban.
    Courtesan WalkingKaigetsudo Anchi, c. 1714Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print with metallic pigments; surimono shikishiban.
    Woman About to Write a PoemYashima Gakutei, c. 1824Courtesy of the Art Institute of Chicago