Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Ichikawa Monnosuke II as Soga no Gorō, by Katsukawa Shunkō, 1779
Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861
A work made of color woodblock print; chūban.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Ichikawa Monnosuke II as Soga no Gorō, by Katsukawa Shunkō, 1779
    Ichikawa Monnosuke II as Soga no GorōKatsukawa Shunkō, 1779Courtesy of the Cleveland Museum of Art
  2. Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, by Okumura Masanobu, ca. 1736–44
    Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First MonthOkumura Masanobu, ca. 1736–44Courtesy of The Metropolitan Museum of Art
  3. Kiyomizu Komachi, from the series Futabagusa nana Komachi, by Kitagawa Utamaro, 1790s
    Kiyomizu Komachi, from the series Futabagusa nana KomachiKitagawa Utamaro, 1790sCourtesy of The Metropolitan Museum of Art

Section 1, south wall

  1. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art
  2. Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu), by Utagawa (Gountei) Sadahide, 1861
    Foreign Business Establishment in Yokohama (Yokohama ijin shōkan shashin no zu)Utagawa (Gountei) Sadahide, 1861Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print; chūban.
    Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. Danjūrō VII's Benkei as Fudō Myōō, by Utagawa Kunisada, ca. 1824
    Danjūrō VII's Benkei as Fudō MyōōUtagawa Kunisada, ca. 1824Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; chuban.
    Delaying the announcement of dawnSuzuki Harunobu, c. 1767/68Courtesy of the Art Institute of Chicago
  3. A View of the Large New Room at Sakurai, by Utagawa Kunisada, early or mid 1830s
    A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. A work made of color woodblock print; oban.
    The Actor Ichikawa Danjuro IV in a "Shibaraku" Role, Possibly from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1768Katsukawa Shunshō, c. 1768Courtesy of the Art Institute of Chicago
  2. A work made of color woodblock print; surimono.
    Three Types of ChrysanthemumsKitao Shigemasa, c. 1790Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    One Person, Six Expressions (Hitori rokumenso)Kobayashi Kiyochika, 1884Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Lovers Walking in the Snow (Crow and Heron), by Suzuki Harunobu, 1764–72
    Lovers Walking in the Snow (Crow and Heron)Suzuki Harunobu, 1764–72Courtesy of The Metropolitan Museum of Art
  2. The Shika Teahouse, by Utagawa Toyokuni, early 1790s
    The Shika TeahouseUtagawa Toyokuni, early 1790sCourtesy of the Cleveland Museum of Art

Section 3, south wall

  1. Table and Writing Set, by Kubo Shunman, 19th century
    Table and Writing SetKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    Precincts of Kameido Tenjin Shrine (Kameido Tenjin keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)"Utagawa Hiroshige, 1856Courtesy of the Art Institute of Chicago