Ukiyo-e





Works in this room
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Section 1, north wall

A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
The Poetess Shunzei no Musume, from the series The Thirty-six Immortal Women Poets (Nishikizuri onna sanjurokkasen)Chôbunsai Eishi, Edo period (1615–1868), 1801Courtesy of the Art Institute of Chicago 
A Picture of the Viewing in the Pleasure QuartersKikukawa Eizan, 1810sCourtesy of the Cleveland Museum of Art
Section 1, south wall

Thirty-Six Views of Mt. Fuji: The Surface of Lake Misaka in Kai ProvinceKatsushika Hokusai, early 1830sCourtesy of the Cleveland Museum of Art 
Women Beside a Stream Chasing FirefliesChôbunsai Eishi, c. 1796–97Courtesy of the Cleveland Museum of Art
Section 2, south wall

Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago 
Two Girls on a Veranda beside a Stream with the MoonSuzuki HarunobuCourtesy of The Metropolitan Museum of Art
Section 2, north wall

The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art 
A View of the Large New Room at SakuraiUtagawa Kunisada, early or mid 1830sCourtesy of the Cleveland Museum of Art 
Matsumoto Koshiro IV as the Fish Peddler GorobeiTōshūsai Sharaku, Probably late 1880s or early 1890sCourtesy of The Metropolitan Museum of Art
Section 3, north wall

American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi)Utagawa Hiroshige II, 2nd month, 1861Courtesy of The Metropolitan Museum of Art 
Passengers in a Ferry Boat on the Sumida RiverTorii Kiyonaga, 1784Courtesy of the Cleveland Museum of Art 
Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art
Section 3, south wall

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776Katsukawa Shunshō, c. 1776Courtesy of the Art Institute of Chicago 
Cherry Blossoms in the WindUtagawa Toyokuni, late 1790sCourtesy of the Cleveland Museum of Art 
Morning Glories, Pinks, and Maiden Flower, from the series "Seven Autumn Flowers in Moonlight"Utagawa Hiroshige, 1830/44Courtesy of the Art Institute of Chicago