Floor plan

Style galleriesUkiyo-e

Ukiyo-e

Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu), by Yōshū (Hashimoto) Chikanobu, November 1887
A work made of woodblock print; sumizuri-e, kakemono-e.
A work made of color woodblock prints; oban triptych.
A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.

The works in this room are listed below.

Works in this room

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

Section 1, north wall

  1. Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu), by Yōshū (Hashimoto) Chikanobu, November 1887
    Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu)Yōshū (Hashimoto) Chikanobu, November 1887Courtesy of The Metropolitan Museum of Art
  2. A work made of woodblock print; sumizuri-e, kakemono-e.
    Standing BeautyKaigetsudo Anchi, About 1714Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. A work made of color woodblock prints; oban triptych.
    A Windy Day under the Cherry TreesUtagawa Toyokuni, c. 1797Courtesy of the Art Institute of Chicago
  2. A color woodblock print of a large crashing wave, looms over two narrow boats full of people. Mt Fuji in the background. There is a faint peach colored sky.
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, 1830/33Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of color woodblock print; oban.
    The actor Ichikawa Omezo as the manservant IppeiTōshūsai Sharaku, 1794Courtesy of the Art Institute of Chicago
  2. The Actor Onoye Matsusuke as a Ronin, by Tōshūsai Sharaku
    The Actor Onoye Matsusuke as a RoninTōshūsai SharakuCourtesy of The Metropolitan Museum of Art
  3. Women Viewing Cherry Blossoms at Asukayama, by Katsukawa Shunchô, 1780s
    Women Viewing Cherry Blossoms at AsukayamaKatsukawa Shunchô, 1780sCourtesy of the Cleveland Museum of Art

Section 2, north wall

  1. Young Woman Looking at a Pot of Pinks, by Suzuki Harunobu, c. 1767
    Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art
  3. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago

Section 3, north wall

  1. Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu), 1847–52
    Ōtsu, from the series The Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi, Ōtsu)Unrecorded Japanese maker, 1847–52Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban triptych.
    Young man and his party crossing a stream before Mt. FujiKitagawa Utamaro, c. 1798/1800Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. England (Igirisukoku), by Utagawa Yoshitora, 2nd month, 1865
    England (Igirisukoku)Utagawa Yoshitora, 2nd month, 1865Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; chūban.
    Searching for FirefliesSuzuki Harunobu, 1768Courtesy of the Art Institute of Chicago

Section 4, south wall

  1. Numazu Ki Kure, by Utagawa Hiroshige, ca. 1834
    Numazu Ki KureUtagawa Hiroshige, ca. 1834Courtesy of The Metropolitan Museum of Art
  2. “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei), by Kitagawa Utamaro, 1790
    “Hour of the Rat: Mistress,” from the series Women’s Daily Customs (Fuzoku bijin tokei)Kitagawa Utamaro, 1790Courtesy of The Metropolitan Museum of Art